<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-316057523985626909</id><updated>2012-02-21T04:23:43.749+13:00</updated><category term='Myanmar'/><category term='Art Workshop'/><category term='Art Residency'/><category term='Giclee'/><category term='New Zealand'/><category term='Isaan'/><category term='Art Gallery'/><category term='Australia'/><category term='Singapore'/><category term='Thai Culture'/><category term='Artist'/><category term='Esan'/><category term='Esaan'/><category term='Interviews'/><category term='New Zealand Art'/><category term='Art Exhibitions'/><category term='North East Thailand'/><category term='Painters'/><category term='Burmese'/><category term='Art Education'/><category term='Australian Art'/><category term='South Australia'/><category term='Copyright'/><category term='Thai Food'/><category term='Cast glass'/><category term='God'/><category term='Mould making'/><category term='Art'/><category term='Poem'/><category term='Bronze casting'/><category term='Artist In Residence'/><category term='Contemporary Art'/><category term='Buddhism'/><category term='Art Work'/><category term='Fine Art'/><category term='Asia Pacific'/><category term='Blogging'/><category term='Canvas'/><category term='Art Centre'/><category term='Aboriginal Art'/><category term='Adelaide'/><category term='Process'/><category term='Burma'/><category term='30 Day Artist'/><category term='Thai Art'/><category term='Sculpture'/><category term='Thailand'/><category term='Laos'/><category term='Bangkok'/><title type='text'>The Border Crossing Art Project</title><subtitle type='html'>The Border Crossing Art Project is as an exploration of collaborative art practice, where the artists involved in the project experiment with using multi-layered collaborative processes that traverse geographical and cultural boundaries. The project culminates in a series of exhibitions, workshops and forums in several countries within the Asia Pacific region.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>62</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7120537075654556946</id><published>2010-12-07T22:50:00.001+13:00</published><updated>2010-12-14T18:31:19.843+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Adelaide'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010</title><content type='html'>&lt;div class="postbody" style="text-align:center"&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/JuQyySqJWZOdh0jcW9JCgw?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/TPOP5SeoYnI/AAAAAAAAFkM/HcblHwFRxRs/s400/IMG_7977.JPG" height="400" width="267" /&gt;&lt;/a&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/iyxG7Zxg_9SrsjgF9iiAUQ?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/TPOQE2qmYMI/AAAAAAAAFkQ/wwoMoehNtaY/s400/IMG_7978.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p&gt;Christie Anthoney (right), Creative Director, TAFESA, and family&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/plgpVWM7FXOPm6gE_nKWJw?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/TPOPiAmopRI/AAAAAAAAFkI/uCJBW006h-o/s400/IMG_7976.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p&gt;Pro Vice Chancellor UniSA, Professor Pal Ahluwalia with project supporters(right)&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/-3kIrhppvtLX5bJrehTa2A?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/TPOXjbzOE5I/AAAAAAAAFmU/6YnJ1tbNiNU/s400/IMG_8019.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p&gt;Orapin Plummer, President of the Thai Culture Association South Australia&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/3rUz0YkOvt6thjr0D9gwcg?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/TPOPOUTwdzI/AAAAAAAAFkE/0BsQAFoBjI4/s400/IMG_7974.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/yzG_dI66sgfL7KVOXDQ0SQ?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/TPOXuENrwAI/AAAAAAAAFns/S8d0kYgP1AU/s400/IMG_8053.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;br /&gt;

&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7120537075654556946?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7120537075654556946/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7120537075654556946&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7120537075654556946'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7120537075654556946'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/12/christie-anthoney-right-creative.html' title='Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/_t-n_SUc-t98/TPOP5SeoYnI/AAAAAAAAFkM/HcblHwFRxRs/s72-c/IMG_7977.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-1364133233588111041</id><published>2010-12-02T00:26:00.000+13:00</published><updated>2010-12-02T00:26:06.464+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Adelaide'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Gallery'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010</title><content type='html'>&lt;div class="postbody"&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/tXjtWln2MozS9iU-fheHEw?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/TPOXqQI9lqI/AAAAAAAAFnM/Kc1-gkogSbg/s400/IMG_8046.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p class="caption"&gt;Workshop artist Mike Sara and family&lt;/p&gt;&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/IyzAnOuox0YegjOSPUiNIw?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/TPOXq03JJGI/AAAAAAAAFnQ/0rmkiFwHtWE/s400/IMG_8047.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;div class="caption"&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/5nPmSHV9gkyqNpcqxIpWGQ?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/TPOXrgDHB6I/AAAAAAAAFnU/aJ5fH3XGCMM/s400/IMG_8048.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;div class="caption"&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/JspctxWhjROq2tGJZoHeGg?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/TPOXsJ2Rc5I/AAAAAAAAFnc/9YkEhW5KjzI/s400/IMG_8049.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;div class="caption"&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/-Q-atS1830dbwJbFlBCzjw?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/TPOXuRMTQyI/AAAAAAAAFnw/VF2bspUc7Fo/s400/IMG_8054.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;div class="caption"&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;
&lt;p class="caption"&gt;Chris Bull from Helpmann Academy and workshop artist Sheila Whittam&lt;/p&gt;&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/w7QRMlat9T2ByxXfhVb58g?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/TPOXsu3R6fI/AAAAAAAAFng/c8m9Hj7tp8o/s400/IMG_8050.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;div class="caption"&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;
&lt;p class="caption"&gt;Workshop artist, Lauryn Arnott (right) with friends&lt;/p&gt;&lt;br /&gt;



&lt;p&gt;More photographs from the exhibition opening to follow in subsequent posts.&lt;/p&gt;

&lt;p&gt;Photos courtesy of the Helpmann Academy.&lt;/p&gt; 

&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-1364133233588111041?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/1364133233588111041/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=1364133233588111041&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1364133233588111041'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1364133233588111041'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/12/light-square-gallery-art-exhibition.html' title='Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_t-n_SUc-t98/TPOXqQI9lqI/AAAAAAAAFnM/Kc1-gkogSbg/s72-c/IMG_8046.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7899949482579613766</id><published>2010-11-30T22:06:00.002+13:00</published><updated>2010-12-01T22:40:13.223+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Aboriginal Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Adelaide'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/37glwHkkTTGBO6xRO3BIqg?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/TPS3nkIlZRI/AAAAAAAAFpk/RsNn24nJwm0/s400/P1210365.JPG" height="300" width="400" /&gt;&lt;/a&gt;
&lt;p class="caption"&gt;AC Arts - Light Square Gallery - Adelaide, South Australia&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/OOejMuNZUsziYqDMZoL3Rw?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/TPOQm9M7xaI/AAAAAAAAFkg/Cd7o6Mv1KrQ/s400/IMG_7982.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p class="caption"&gt;Edward James (Helpmann Academy) and Helen Stacey&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/XR-lQPGyEDI_SP8snSeK9w?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/TPOVur9KxTI/AAAAAAAAFlc/5NxV1CFSHUU/s400/IMG_7997.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p class="caption"&gt;Aboriginal Artist, Betty Sumner singing a lullaby to baby Azaria held by her mother curator/artist Wendy Grace Allen&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/QapdIX5NOmNP-rR4xMBeaQ?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/TPOMX0nHLhI/AAAAAAAAFjw/qpKzThgF4FU/s400/IMG_7963.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p class="caption"&gt;Exhibition supporters&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/hTJU5UqPb4CnObpKaalucw?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/TPONk5z_jVI/AAAAAAAAFj4/bcBM1D6_Vb4/s400/IMG_7969.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p class="caption"&gt;Betty Sumner (workshop participant and Aboriginal art consultant)&lt;/p&gt;
&lt;br /&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/qOBcJ2UUN_PW-VW1cxCILg?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/TPOONJqMCrI/AAAAAAAAFj8/HyK_2An-Zoo/s400/IMG_7971.JPG" height="267" width="400" /&gt;&lt;/a&gt;
&lt;p class="caption"&gt;Exhibition supporters&lt;/p&gt;
&lt;br /&gt;


&lt;p&gt;More photographs from the exhibition opening to follow in subsequent posts.&lt;/p&gt;

&lt;p&gt;Photos courtesy of the Helpmann Academy and Wendy Grace Allen.&lt;/p&gt;


&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7899949482579613766?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7899949482579613766/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7899949482579613766&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7899949482579613766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7899949482579613766'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/11/light-square-gallery-art-exhibition.html' title='Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh4.ggpht.com/_t-n_SUc-t98/TPS3nkIlZRI/AAAAAAAAFpk/RsNn24nJwm0/s72-c/P1210365.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-8835859142085748743</id><published>2010-09-14T18:23:00.002+12:00</published><updated>2010-10-14T17:00:59.629+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Introducing Lauryn Arnott – Workshop Participant, Adelaide South Australia</title><content type='html'>&lt;div class="postquote"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/_t-n_SUc-t98/TI8XR4B7DgI/AAAAAAAAFQU/BKCYDP3fJuA/s1600/Crossing+Over-laurynArnott.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_t-n_SUc-t98/TI8XR4B7DgI/AAAAAAAAFQU/BKCYDP3fJuA/s320/Crossing+Over-laurynArnott.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span class="Apple-style-span" style="font-family: Arial; font-size: xx-small;"&gt;&lt;span class="Apple-style-span" style="font-size: 9px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;i&gt;Crossing
over&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
162 x171 cms. Medium: Charcoal, charcoal pencil, collage, on Dessin
300gsm paper&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;Lauryn
Arnott&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;I
arrived in Adelaide, Australia, in 2003 having lost my home to a
brutal regime in Zimbabwe, Africa. In Adelaide I started the &lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;i&gt;Crossing
Over&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
drawing as part of a Masters of Visual Arts degree. This drawing
became a site of &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;remembering
and forgetting memories through a process of drawing and erasure&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;
My methodology became a physical enactment of the state that I found
myself in, a process of working through persistent memories,
acknowledged and unacknowledged, a retrieval of history as memory and
memory as history&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;.
This process works as a catalyst through which I can harness my sense
of place and identity. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;It
is an appropriate technical way of dealing with memory and loss,
using the mark as an increment of retrieval and its erasure as a
metaphor of loss. &lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;The&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;
&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;i&gt;Crossing
Over&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
drawing was exhibited at &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;the
National Gallery of Zimbabwe, as a part the 2009 Harare International
Festival of Arts. Much like my participation in &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;i&gt;The
Border Crossing Project,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
this demonstrates my interest in&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
the important role that art can play in retrieving and transforming
ideas and memories that cross borders and cultures. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;My&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
intention&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
in this to create links and build relationships between different
countries and cultures, despite what is said in the media.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;Part
of the content of this drawing is the deliberate use of fragile and
temporary materials such as the large unprotected sheet of paper
pinned to the wall. The fragility of the medium of this work
expresses its stark subject matter. &lt;/span&gt;
&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/_t-n_SUc-t98/TI8XYiBR1lI/AAAAAAAAFQc/054SvNduD9M/s1600/Laurynarnott.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_t-n_SUc-t98/TI8XYiBR1lI/AAAAAAAAFQc/054SvNduD9M/s320/Laurynarnott.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;The
Collaboration &lt;/b&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;I
worked together with Nina Rupena and Patricia Wozniak; we come from
diverse cultures, yet our work has been shaped by the fact that we
are all living in Australia because of the conflict in our home
countries. I came from Zimbabwe, Nina from Bosnia and Patricia’s
recalls her grandmother’s stories of her displacement from Poland
after the war. The central themes that we share in our work is;
&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;b&gt;conflict,
displacement, fragility, memory&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;b&gt;and
post-memory&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;.
An important factor we discussed was whether cultural diversity was
the source of peace (and collaboration) or the root of conflict. In
this we felt that it was vital that our collaboration be one of
negotiating and not negating our work and our histories&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;,
because there is no single essence, no single history.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;What
I consider an important aspect for &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;b&gt;The
Border Crossing Project&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;,
is that it can open up a dialogue in which the artists and viewers
can consider their own positions on these proposals.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: ArialMS, Times, sans-serif;"&gt;&lt;span lang="en-US"&gt;
&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div class="sdfootnote" lang="en-US"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;Meaning
through making:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;The
deliberate use of fragile and temporary materials is an important
aspect of our collaboration.&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;
The materials; collaged paper, charcoal, pastel, xerox transfers,
lace for stencils, spray paint, printing ink and muslin&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;Text by Lauryn Arnott&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-8835859142085748743?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/8835859142085748743/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=8835859142085748743&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8835859142085748743'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8835859142085748743'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/introducing-lauryn-arnott-workshop.html' title='Introducing Lauryn Arnott – Workshop Participant, Adelaide South Australia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_t-n_SUc-t98/TI8XR4B7DgI/AAAAAAAAFQU/BKCYDP3fJuA/s72-c/Crossing+Over-laurynArnott.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-5624732902240913724</id><published>2010-09-14T10:12:00.000+12:00</published><updated>2010-09-14T10:12:17.485+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Work'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Australian Art'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><title type='text'>Introducing Nina Rupena – Workshop Participant, Adelaide South Australia</title><content type='html'>&lt;div class="postbody"&gt;
&lt;/div&gt;
&lt;div class="postquote"&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/_t-n_SUc-t98/TI6gRCebl2I/AAAAAAAAFQI/2UtqCpW1xc0/s1600/Vestige.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_t-n_SUc-t98/TI6gRCebl2I/AAAAAAAAFQI/2UtqCpW1xc0/s320/Vestige.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: center;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;'Vestige'
ink, colour pencil and watercolour on old doily mounted on
canvas-backed wallpaper,&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: center;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;46 x 51 cm, 2010.&lt;/span&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;Nina
Rupena&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;As
a result of personal experiences linked with dislocation (as a
refugee of war located in Bosnia and Herzegovina), I am attempting to
analyse and mediate this experience&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;.
&lt;/span&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;My
artwork ‘Vestige’&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;
&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;attempts to examine the
perception of ageing. In a visual sense, hands are a symbolic
vehicle, representing wisdom and endurance where folds, wrinkles and
scars narrate a story and represent personal histories. &lt;/span&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;I
have an evolving history as an industrial designer, photographer,
video and installation artist, working both within a fine arts
context and my own cultural community developing work which explores
memory and the nature of history and place.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_t-n_SUc-t98/TI6gMlM8UjI/AAAAAAAAFQA/zS-TNHVzdys/s1600/nina+rupena.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_t-n_SUc-t98/TI6gMlM8UjI/AAAAAAAAFQA/zS-TNHVzdys/s320/nina+rupena.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Nina Rupena&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;The
Collaboration &lt;/b&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div lang="en-US" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="color: black;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;I
am collaborating with &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span lang="en-US"&gt;Patricia
Wozniak and &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Lauryn
Arnott. We come from diverse cultural backgrounds – Polish,
Zimbabwean and Bosnian. &lt;/span&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;What
we hoped to achieve with our collaboration is to enrich our art
practises by openly exchanging ideas, techniques and materials. The
opportunity to share personal histories and explore the complexities
of exile was greatly rewarding.&lt;/span&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;We
enjoyed the synergy formed when creative minds are put together and
exciting ideas for future projects came as a result of Borders
Crossing project.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;Text by Nina Rupena&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-5624732902240913724?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/5624732902240913724/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=5624732902240913724&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/5624732902240913724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/5624732902240913724'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/introducing-nina-rupena-workshop.html' title='Introducing Nina Rupena – Workshop Participant, Adelaide South Australia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_t-n_SUc-t98/TI6gRCebl2I/AAAAAAAAFQI/2UtqCpW1xc0/s72-c/Vestige.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-8026016188675442339</id><published>2010-09-13T17:17:00.000+12:00</published><updated>2010-09-13T17:17:48.080+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><title type='text'>Introducing Svetlana De Gennaro - Workshop Participant, Adelaide, South Australia</title><content type='html'>&lt;div class="postbody"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/_t-n_SUc-t98/TIhdD5Uwz1I/AAAAAAAAFOs/ka7n-juNNCc/s1600/Svetlana+De+Gannaro+-+painting.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_t-n_SUc-t98/TIhdD5Uwz1I/AAAAAAAAFOs/ka7n-juNNCc/s320/Svetlana+De+Gannaro+-+painting.png" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="postquote"&gt;
&lt;br /&gt;
&lt;div align="CENTER" lang="en-AU" style="margin-bottom: 0cm; margin-top: 0.42cm;"&gt;
‘&lt;span lang="en-AU"&gt;&lt;b&gt;Australian
Landscape’&lt;/b&gt;&lt;/span&gt;&lt;span lang="en-AU"&gt;&lt;b&gt;, Svetlana De Gennaro&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="CENTER" lang="en-AU" style="margin-bottom: 0cm; margin-top: 0.42cm;"&gt;
&lt;b&gt;&lt;/b&gt;&lt;/div&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;div align="CENTER" lang="en-AU" style="display: inline !important; font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;div align="CENTER" lang="en-AU" style="display: inline !important; font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;
&lt;div style="display: inline !important;"&gt;
&lt;b&gt;Svetlana De Gennaro&lt;/b&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/b&gt;&lt;/div&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;div lang="en-AU" style="margin-bottom: 0cm; margin-top: 0.42cm; text-align: center;"&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;div align="CENTER" lang="en-AU" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;A&lt;/b&gt;&lt;/span&gt;&lt;span lang="en-AU"&gt;&lt;b&gt;rtist
Statement&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="line-height: 200%; margin-bottom: 0cm; margin-top: 0.42cm;"&gt;
Quoting Papastergiadis, 
&lt;/div&gt;
&lt;div align="JUSTIFY" style="margin-bottom: 0cm; margin-left: 1.27cm;"&gt;
&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;Cultural
identity is…defined by the way ideas and practices which have
crossed frontiers find new homes; it is a way of coming to terms with
the past without ignoring the pressures of the present, an expression
of belonging which does not lock the individual into a single place.
The dream of a single home is gone, only to be replaced by the
daunting promise of multiple affiliations&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;sup&gt;&lt;span lang="en-AU"&gt;1&lt;/span&gt;&lt;/sup&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" style="margin-bottom: 0cm;"&gt;
&lt;span lang="en-AU"&gt;Within
the context of my art practice &lt;/span&gt;&lt;span lang="en-AU"&gt;I examine
the issues emanating from the transition to a new physical, social
and cultural environment, geographically and/or emotionally distant
from “home”. My enquiries are based partially on my personal
experiences, as I am a recent immigrant to Australia, and previously
living an expatriate lifestyle in several European countries. A
lifestyle of moving through different cultures, even if by choice,
plus working as a professional interpreter before I commenced the
study of art, cultivated in me compelling attitudes of empathy and
understanding for cultural diversity and multicultural existence.
Australia, my present home is a multi-cultural society and a “fair
and lucky country” according to a well constructed myth promoted by
popular media. This is far from reality and many Australian artists,
of any colour, refer to this issue in their art practice. ‘Genuine
social justice and equality are still far from a reality, and the
struggle continues’.&lt;/span&gt;&lt;sup&gt;&lt;span lang="en-AU"&gt;2&lt;/span&gt;&lt;/sup&gt;&lt;span style="color: red;"&gt;&lt;span lang="en-AU"&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span lang="en-AU"&gt;Aboriginal people are exiles in
their own land and the prejudice and patronising attitudes of the
dominant culture towards Indigenous Australians and other
ethnic/cultural groups, is still a major contemporary problem within
Australian society today. Such attitudes often involve the
demonisation and dehumanisation of “inferior others” to justify
exploitation. In my painting ‘Australian Landscape’, I referred
to the particular place of South Australia known as Tandanya, meaning
the land of the red kangaroo, according to the stories of the local
Kaurna people, as a reminder that the vast and harsh environment of
this land necessitates ecological sustainability as well as social
and cultural balance.&lt;/span&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" style="margin-bottom: 0cm; margin-top: 0.42cm;"&gt;
&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;1
&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;N Papastergiadis,
&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;&lt;i&gt;Spatial aesthetics:
Art, place and the everyday&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;,
Rivers Oram Press, London, 2006, p.102&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" style="margin-bottom: 0cm;"&gt;
&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;2
W Caruana, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;&lt;i&gt;Aboriginal
Art&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="en-AU"&gt;, Thames and
Hudson, 1993, p.17&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div lang="en-AU" style="margin-bottom: 0cm; text-align: left;"&gt;
&lt;b&gt;Experiences
of Collaboration&lt;/b&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" style="margin-bottom: 0cm;"&gt;
&lt;span lang="en-AU"&gt;Within
this project &lt;/span&gt;&lt;span lang="en-AU"&gt;we chose to use “chain”
collaboration, whereby I am working on Dr Irmina van Niele’s print
as my inspiration for further experimentation and communication,
whilst in turn Lindi Harris chose my work for her explorations. The
Border Crossing Art Project is an opportunity to work with artists of
different origins and life experiences and share our views and
discover points of connection. I find this exercise is a constructive
approach to exchange of knowledge, in a contemporary global
environment of constant mobility.&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;b&gt;&lt;div align="CENTER" lang="en-AU" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/_t-n_SUc-t98/TIhfybg4EeI/AAAAAAAAFO4/4t3LdET2acQ/s1600/Svetlana+De+Gannaro+-+portrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_t-n_SUc-t98/TIhfybg4EeI/AAAAAAAAFO4/4t3LdET2acQ/s320/Svetlana+De+Gannaro+-+portrait.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;b&gt;Short Biography&lt;/b&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align="JUSTIFY" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span lang="en-AU"&gt;I arrived in Australia in 2004&lt;/span&gt;&lt;span lang="en-AU"&gt;, whereupon I made the decision to commit fully to a Professional Visual Arts career and undertook studies that resulted in achieving my BA in Visual Arts from Uni SA in 2009.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align="JUSTIFY" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span lang="en-AU"&gt;I am currently completing an Honours degree at Uni SA with the intention to continue with further post graduate studies.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align="JUSTIFY" style="font-weight: normal; margin-bottom: 0cm; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span lang="en-AU"&gt;I also hold a second degree, BA in Education, with specialisation in languages and have significant experience of working as a professional Interpreter and Translator.&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="en-AU"&gt;Text written by Svetlana De Gennaro&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="font-weight: normal;"&gt;
&lt;/div&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div align="JUSTIFY" lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="CENTER" lang="en-AU" style="margin-bottom: 0cm; text-align: justify;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-8026016188675442339?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/8026016188675442339/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=8026016188675442339&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8026016188675442339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8026016188675442339'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/introducing-svetlana-de-gennaro.html' title='Introducing Svetlana De Gennaro - Workshop Participant, Adelaide, South Australia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_t-n_SUc-t98/TIhdD5Uwz1I/AAAAAAAAFOs/ka7n-juNNCc/s72-c/Svetlana+De+Gannaro+-+painting.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3813224032285078971</id><published>2010-09-09T14:45:00.004+12:00</published><updated>2010-09-10T14:16:32.647+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Aboriginal Art'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><title type='text'>Introducing Sheila Whittam - Workshop Participant, Adelaide, South Australia</title><content type='html'>&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/_t-n_SUc-t98/TIhG3E-2TkI/AAAAAAAAFOY/q2WkTrTCDT0/s1600/DSCN3143.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_t-n_SUc-t98/TIhG3E-2TkI/AAAAAAAAFOY/q2WkTrTCDT0/s320/DSCN3143.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/_t-n_SUc-t98/TIhG3E-2TkI/AAAAAAAAFOY/q2WkTrTCDT0/s1600/DSCN3143.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;h1 class="western" style="display: inline !important; font-weight: normal; text-align: center;"&gt;



&lt;span class="Apple-style-span" style="font-size: small;"&gt;Consecrated Elements.&amp;nbsp;&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Watercolour and ink. Collage and conte. -&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;b&gt;&lt;/b&gt;&lt;/div&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;h1 class="western" style="display: inline !important; font-weight: normal; text-align: center;"&gt;



&lt;span style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;/b&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;h1 class="western" style="display: inline !important; font-weight: normal; text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;h1 class="western" style="display: inline !important; font-weight: normal; text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;h1 class="western" style="display: inline !important; font-weight: normal; text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;/b&gt;&lt;div class="postquote"&gt;
&lt;b&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/_t-n_SUc-t98/TImO9QTiJ1I/AAAAAAAAFPc/pMYdJjCODhE/s1600/Sheila+and+Betty.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_t-n_SUc-t98/TImO9QTiJ1I/AAAAAAAAFPc/pMYdJjCODhE/s320/Sheila+and+Betty.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-family: Arial; font-size: small;"&gt;Betty Sumner.&amp;nbsp; Oils on Galvanised iron.&amp;nbsp; image ;detail.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;h1 class="western" style="font-weight: normal; text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/_t-n_SUc-t98/TImUb_mZtmI/AAAAAAAAFP0/_4rCWrgRU20/s1600/Sumner+and+Whittam-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_t-n_SUc-t98/TImUb_mZtmI/AAAAAAAAFP0/_4rCWrgRU20/s320/Sumner+and+Whittam-1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/b&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;
Collaboration with Aboriginal Artist Betty Sumner for The Border Crossing Art &amp;nbsp;Project&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: center;"&gt;
&lt;div style="text-align: left;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;Sheila Whittam&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/_t-n_SUc-t98/TImQ5jB_OXI/AAAAAAAAFPo/QU5qgr73Uaw/s1600/portrait+of+shelia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_t-n_SUc-t98/TImQ5jB_OXI/AAAAAAAAFPo/QU5qgr73Uaw/s320/portrait+of+shelia.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;C.V 2010 - Short version&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
www.sheilawhittam.com.&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
Currently Artist in Residence at
 The Cedars in preparation for solo exhibition called &lt;b&gt;Portrait of
 a House&lt;/b&gt;.  August 6-Sept19th. 2010 at Hahndorf Academy.&lt;/div&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;em&gt;&lt;span style="font-style: normal;"&gt;Awards&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
2009. Graduated: Degree in Bachelor of
Visual Arts, Adelaide Central School of Art,&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
Norwood. SA.&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
2009. St Peter’s Cathedral Art Prize.
&lt;i&gt;The Crypt.&lt;/i&gt;&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
&lt;em&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-style: normal;"&gt;2008.
 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;St Peter’s Cathedral Art Prize. 
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
&lt;b&gt;Solo Exhibitions&lt;/b&gt;.&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
2007 Royal SA Society of Arts.
Institute Building, North Tce/ Kintore Ave, Adelaide.&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
2008 South Coast Regional Arts and
Heritage, Goolwa, SA: touring. 
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
2008 South Coast Regional Arts and
Heritage, Hahndorf, SA: touring.&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
2009.Carrick Hill, Springfield,
Adelaide, SA. SALA.&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;b&gt;Artist Statement&amp;nbsp;&lt;/b&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/_t-n_SUc-t98/TIhhvNU7U3I/AAAAAAAAFPM/Begu7c2_u8g/s1600/Shelia+Whittam-central+australia+2009+015.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_t-n_SUc-t98/TIhhvNU7U3I/AAAAAAAAFPM/Begu7c2_u8g/s320/Shelia+Whittam-central+australia+2009+015.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: medium;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;
In May 2009 I had the opportunity to
stay in an Aboriginal Community - Mutitjulu situated at the base of
Uluru. This great monolithic rock was situated at our front gate, and
each day I set off with my equipment to try to capture the structure.&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
Many tourists walked around the base of
the rock honouring the sign board information about how the
Aboriginal community  understand their sacred stories while others
climbed the rock for a challenge. It was during this time that I
caught hold of the reverence and awesome magnificence of being in
that place.&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;i&gt;Consecrated Elements &lt;/i&gt; has an
over layer over the top of the initial work – Uluru.  The over
layering form is from ideas I saw in the Temple de la Sacrada
Familia, a Barcelona church designed by architect Antoni Gaudi. The
organic forms and designs within Gaudi’s  buildings are influenced
by nature. 
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
The  Gaudi - esk spires that hover over
 Uluru are ideas about the Catholic observation of the Mass,   They
speak of  &lt;i&gt;Host&lt;/i&gt;,  the bread that is given in the most sacred
ceremony in the Christian Church.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
My use of architectural forms is
metaphorical in which I analyse some of the question and the dilemmas
 we  humans find ourselves as we struggle for being. Architectural
ideas provide for me a psychological space in which stairways,
tunnels, passages, large spaces, open or locked doors    provide an 
imagery of the human journey. 
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
The  mixed media drawing materials
including collage and the  use a palimpsest/ic process which show the
process of drawing and the under layers  of working.  This formal
concern replicates the process of aging architecture which concerns
the essence of time and the usage of buildings by its curious
occupiers.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: auto;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;b&gt;Artists Statement&lt;/b&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;u&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;u&gt;&lt;b&gt;&amp;nbsp;Collaboration between Betty Sumner and Sheila Whittam&lt;/b&gt;&lt;/u&gt;.  
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
Work entitled, &lt;i&gt;&lt;u&gt;Strange Dream upon
my Day Bed&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
I met Betty for the first time just a
few days ago and she showed me her work which was painted  in oils on
a support: A sheet of galvanised iron.  She explained the work to me
as being about the women ancestor spirits who are guarding the land
around Adelaide.  
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
She explained further that her thoughts
had been about  the colonisation of Adelaide by the British  which
was devastating for the land.  Betty explained that all the micro
organisms were diminished due to being  changed by blasting and
quarrying and removing sacred stones and earth to be formed into
roads and buildings in the new colony .  One such building  is the
first church built in Adelaide 1838: The HOLY TRINITY CHURCH,  which
Betty’s   people have had long standing concerns  about  because it
was built from  sacred stones. 
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
I considered her story and told her
that I was part of the colonisation! I am British.  I asked her how
she felt about that?  She replied that she could hear my accent but
we are all caught up in many difficulties, especially women.  I think
she may be an Aboriginal feminist! 
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
In approaching this collaboration I
decided the story is too beautiful to obliterate with my own over
layering.  I decided that I would connect her work  with an interior
room, with a long day bed and pillows. That day bed usually brings
sunshine in to my complacent interior life.  This time it brought a
view that was strange yet comforting. 
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
Text written by Sheila Whittam&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3813224032285078971?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3813224032285078971/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3813224032285078971&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3813224032285078971'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3813224032285078971'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/introducing-sheila-whittam-workshop.html' title='Introducing Sheila Whittam - Workshop Participant, Adelaide, South Australia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_t-n_SUc-t98/TIhG3E-2TkI/AAAAAAAAFOY/q2WkTrTCDT0/s72-c/DSCN3143.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-8820937611149986768</id><published>2010-09-08T12:42:00.000+12:00</published><updated>2010-09-08T12:42:00.686+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Adelaide'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Press Release</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/L9qssXuxlyOKrBNk5OX5dg?feat=embedwebsite"&gt;&lt;img alt="Helpmann Academy" src="http://lh6.ggpht.com/_t-n_SUc-t98/TIYJ5bQiiQI/AAAAAAAAFN4/wsG10ulHt2M/s400/Helpmann%20Academy%20logo.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;September&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;For
immediate release&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;b&gt;The
Border Crossing Art Project arrives in Adelaide&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Opens
6:00pm, &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Wednesday
September 22&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Concludes&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;
Thursday October 14&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Light
Square Gallery&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Adelaide
College of the Arts&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;39
Light Square, Adelaide&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Visual
artists from Australia, Thailand and New Zealand have collaborated
together and with South Australian artists and art students for a
unique cross cultural initiative called &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;The
Border Crossing Art Project&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Showcasing
the work of artists Wendy Grace Allen (nee Dawson) (New Zealand), Dr. Apichart
Pholprasert (Thailand) and Helen Stacey (Australia), the &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Border
Crossing&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;
exhibition first opened at The Art Centre Gallery at the
Chulalongkorn University in Bangkok in February. The exhibition will
be on show at the Light Square Gallery during September and October,
before heading off to New Zealand later in the year.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
“&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;The
Border Crossing Art Project&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;
is an exploration of collaborative visual arts practice, where the
artists involved - among the first graduates from the University of
South Australia’s Masters of Visual Art program - experiment with
multi-layered techniques that traverse geographical and cultural
boundaries,” explains Helen Stacey, who has coordinated the South
Australian phase of the project. “All of the pieces on show are a
unique discovery of the progressive transformation of our original
work, each of us reflecting on issues relating to land ownership.”&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;In
addition to the Light Square exhibition, the collaborative research
project also includes a two-day workshop, a public forum, a seminar
and a series of artist floor talks. Up to 16 students, staff and
visual arts graduates from the Helpmann Academy’s visual arts
partner institutions will take part in a collaborative workshop, with
each artist working to interpret the theme ‘border crossing’. &lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;The
Border Crossing Art Project&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;
has been supported by a Helpmann Academy major grant. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;br /&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Public
 Forum - ‘New trajectories in regional cross-cultural
 collaboration’&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="western" style="margin-left: 0.63cm; margin-right: 0cm; text-indent: 1.27cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Light
Square Gallery, 3:00pm Thursday 23rd September&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-left: 0.63cm; margin-right: 0cm; text-indent: 1.27cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Speakers:
James Bennett, Curator of Asian Art, Art Gallery of SA&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-left: 0.63cm; margin-right: 0cm; text-indent: 1.27cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Dr.
Pamela Zeplin, SA School of Art and the Border Crossing artists &lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;br /&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Acsa
 Seminar - Eddies and flows: narratives of cross-cultural
 collaboration&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="western" style="margin-left: 0.63cm; margin-right: 0cm; text-indent: 1.27cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;Adelaide
Central School of Art Gallery, 12:00 noon, Friday 24th September&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-left: 0.63cm; margin-right: 0cm; text-indent: 1.27cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;The
Border Crossing Artists&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;br /&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Artists
 Talks: Light Square Gallery&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="western" style="margin-left: 0.63cm; margin-right: 0cm; text-indent: 1.27cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;11:00am,
Thursday 23&lt;/span&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;rd&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;
and Friday 24th September&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;For
further information contact Chris Bull, Helpmann Academy Marketing
Manager, on (08) 8463 5015 or 0425 615 233&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="western" style="margin-right: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="postquote"&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-8820937611149986768?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/8820937611149986768/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=8820937611149986768&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8820937611149986768'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8820937611149986768'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/press-release.html' title='Press Release'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_t-n_SUc-t98/TIYJ5bQiiQI/AAAAAAAAFN4/wsG10ulHt2M/s72-c/Helpmann%20Academy%20logo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-2882599217358424836</id><published>2010-09-08T08:50:00.002+12:00</published><updated>2010-09-08T21:22:41.661+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Centre'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Bangkok'/><title type='text'>Comments from Our Guestbook in Bangkok, 5th Feb - 6th Mar 2010</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/mrotYgTwtDBFTmXPv6w2ZQ?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/THzGaYjjReI/AAAAAAAAFF4/-hNznAgFGiI/s400/border%20crossing%20_Page_1.jpg" /&gt;&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/eIRJ6P0OKWSpJZ9-wpSRSA?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/THzGbXqOp1I/AAAAAAAAFF8/n83Ar-H8kqs/s400/border%20crossing%20_Page_2.jpg" /&gt;&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/ViTbyJB5xHTUTAcVCK6pOA?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/THzGckJcvhI/AAAAAAAAFGA/8yXLvcZR8KM/s400/border%20crossing%20_Page_3.jpg" /&gt;&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/i0RrcJ0_PcK28G5wxeBwwg?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/THzGerpPhMI/AAAAAAAAFGE/jws6hk_okAY/s400/border%20crossing%20_Page_4.jpg" /&gt;&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/LP8W8C5Lo1zr6MjjKUvvBQ?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/THzGfQG7ruI/AAAAAAAAFGI/WbXsuAj1v9M/s400/border%20crossing%20_Page_5.jpg" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;div class="postquote"&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-2882599217358424836?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/2882599217358424836/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=2882599217358424836&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2882599217358424836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2882599217358424836'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/08/comments-from-our-guestbook-in-bangkok.html' title='Comments from Our Guestbook in Bangkok, 5th Feb - 6th Mar 2010'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/_t-n_SUc-t98/THzGaYjjReI/AAAAAAAAFF4/-hNznAgFGiI/s72-c/border%20crossing%20_Page_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4471245730039932908</id><published>2010-09-07T20:33:00.000+12:00</published><updated>2010-09-07T20:33:55.002+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Adelaide'/><category scheme='http://www.blogger.com/atom/ns#' term='Australian Art'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><title type='text'>Introducing Christobel Kelly - Workshop Participant, Adelaide, South Australia</title><content type='html'>&lt;div class="postbody"&gt;
&lt;center&gt;&lt;a href="http://picasaweb.google.com/lh/photo/gYSFkh0-fr8EcNyrDFmvwA?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/TIX2-Ncs6fI/AAAAAAAAFNQ/LBoIf9vSTRA/s800/Christobel.jpg" /&gt;&lt;/a&gt;&lt;/center&gt;
&lt;br /&gt;
&lt;b&gt;Christobel Kelly&lt;/b&gt;
&lt;br /&gt;
This work is concerned with the realm of the imagination.   Its intention is to codify the threshold we step over when we slip into a private narrative. 
&lt;br /&gt;
&lt;br /&gt;
There is always a border we cross when our thoughts- prompted by experience- run towards imaginary places.  This work reflects our ability to make up stories about what we see which are both universal, and individual at the same time.
&lt;br /&gt;
&lt;br /&gt;
The image has as a reference point, the first sentence of any book that elicits  and commands the minds eye.
&lt;br /&gt;
&lt;br /&gt;
Text written by Christobel Kelly.
&lt;br /&gt;
&lt;/div&gt;
&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4471245730039932908?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4471245730039932908/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4471245730039932908&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4471245730039932908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4471245730039932908'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/introducing-christobel-kelly-workshop.html' title='Introducing Christobel Kelly - Workshop Participant, Adelaide, South Australia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_t-n_SUc-t98/TIX2-Ncs6fI/AAAAAAAAFNQ/LBoIf9vSTRA/s72-c/Christobel.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3044714374673567416</id><published>2010-09-05T18:55:00.000+12:00</published><updated>2010-09-05T18:55:16.417+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Australian Art'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><category scheme='http://www.blogger.com/atom/ns#' term='Artist'/><title type='text'>Introducing Sue Michael - Workshop Participant, Adelaide, South Australia</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/1hL4B4OgwLquSsRV2_CHpw?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/TIC-9AdUp-I/AAAAAAAAFMk/AZryTDM-9Tc/s400/sue_michael_image_1.jpg" /&gt;&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: Arial, serif;"&gt;
&lt;b&gt;Sue Michael&lt;/b&gt;
&lt;br /&gt;
&lt;span lang="en-AU"&gt;Adelaide
August 2010&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: Arial, serif;"&gt;&lt;span lang="en-AU"&gt;During
my childhood, my family travelled extensively across Australia in a
caravan. My Grandparents could never travel this far due to work/
farming commitments. I too am like them. It has been 24 years since I
have had more than a couple of days travelling across a state border.
Those childhood vistas occupy my thoughts even now. This painting
‘Great Divide,’ is inspired by old slides.  I have collaged 35mm
slides, made tritpography- like images using dual projectors, then
finally mixing our family’s slides from the 1960’s and 70’s.with
stranger’s holiday snapshots. New landscapes emerged from my
experimentations. The eyes stare back.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;
&lt;span style="font-family: Arial, serif;"&gt;&lt;span lang="en-AU"&gt;I
must cross those borders once again to visit the earth energies.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;/div&gt;
&lt;div lang="en-AU" style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;center&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/kyLnNVPfTlDB49fX6IlLJw?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/TIDAbs3VZ5I/AAAAAAAAFMs/7Toh9yHTrTs/s800/sue_michael_image_2.jpg" /&gt;&lt;/a&gt;
&lt;/center&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: Arial, serif;"&gt;&lt;span lang="en-AU"&gt;My
collaboration with Lindi Harris’s image continues the theme of
longing to return to the earth energies that I was acutely aware of
as a child.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: Arial, serif;"&gt;&lt;span lang="en-AU"&gt;Suitcases
will be photographed at various locations around Adelaide.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;span style="font-family: Arial, serif;"&gt;&lt;span lang="en-AU"&gt;Lindi’s
original image has gone through a few photographic abstractions and
been replicated into ‘tiles’. I have covered three suitcases
resulting in a French toile feel to these Australian landscapes.
Other peoples’ hearts always go with you when you travel. Vessels
for these well wishes are supplied with the luggage tags.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="postquote"&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3044714374673567416?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3044714374673567416/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3044714374673567416&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3044714374673567416'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3044714374673567416'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/introducing-sue-michael-workshop.html' title='Introducing Sue Michael - Workshop Participant, Adelaide, South Australia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/_t-n_SUc-t98/TIC-9AdUp-I/AAAAAAAAFMk/AZryTDM-9Tc/s72-c/sue_michael_image_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7479015121111274257</id><published>2010-09-03T21:17:00.000+12:00</published><updated>2010-09-03T21:17:43.286+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Work'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Adelaide'/><category scheme='http://www.blogger.com/atom/ns#' term='Australian Art'/><category scheme='http://www.blogger.com/atom/ns#' term='South Australia'/><title type='text'>Introducing Lindi Harris - Workshop Participant, Adelaide, South Australia</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/1BoJ54HirviE24oIHvksUw?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/TIBxhy26dRI/AAAAAAAAFMU/wRtXmWlGVLg/s400/Lindi%20Harris%20Painting.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;No Borders&lt;/i&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Lindi Harris&lt;/b&gt;&lt;br /&gt;
This work describes my relationship to the Australian landscape and the British Isles, and evokes the power of sacred sites.  It alludes to the nomadic nature of humanity, our desire to hold onto memories and objects of the past, and the effect of climate change and erosion on the built and natural landscape. 

Standing stone circles were constructed in the British Isles as early as 3400 BC and remained in use as astronomical observation devices until around 1500 BC, at which time northern Europe experienced a “global cooling”.1 Populations abandoned the Orkney and Shetland Islands to the north of Britain, and the Hebridean Islands to the west. Due to the subsequent lack of human activity and the peat moss that slowly covered all evidence of early civilisation, these regions today host some of the most well preserved Neolithic sites in the world. 

The earliest known examples of the Celtic cross, found in France and dated from 10 000 BC, are carved “ancestor stones” thought to contain the spirits of the dead. The Standing Stones of Callanish were originally laid out in the formation of a Celtic cross.2

The evolution of Uluru, central Australia, began over 900 million years ago.3 

The warm reds and soft curves and contours of Uluru contrast with the angular cold grey of the Standing Stones of Callanish. As a small child emigrating in the 1960’s from the Northern hemisphere to the Southern, it was this dramatic change in light and colour that left a life-long sense impression. 

Both the Standing Stones and Uluru hold cultural significance to the people who live amongst them.&lt;br /&gt;
&lt;br /&gt;
Processes and mediums used in this work include linocut, collograph, ink and pastel drawing and collage. Papers are Japanese Kozo, Hahnemuhle and silk paper.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;b&gt;Collaborating on The Border Crossing Art Project&lt;/b&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
At this stage I have selected another artists work and commenced initial studies with it. What I have learnt is how easy it is to choose similarity. I selected a piece that reflected my own values/ethics/style/medium and I feel very comfortable with it. I knew instantly how I would proceed-or at least had a couple of very clear directions to move in. How would it have been if the piece had been selected for me? If I had been required to respond to a work I didn't immediately understand? Crossing borders is uncomfortable and we avoid it where we can. This project has highlighted my discomfort with that I do not understand. And yet it is difference that attracts me. A paradox.&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;

&lt;a href="http://picasaweb.google.com/lh/photo/R2dN80EJmJvjGLlkFYgUXQ?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/TIC72qPDZjI/AAAAAAAAFMc/EK_IfvCjqFk/s400/Lindi%20Harris%20portrait.jpg" /&gt;&lt;/a&gt;
&lt;br /&gt;
&lt;b&gt;About Lindi Harris&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
British migrant 1966&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Art student since 1966 (aged 5) when I questioned my mum about why the teacher said I was wrong because I had drawn the strokes the wrong way-my mum (an artist) told me the teacher was wrong.&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Early Childhood Education Diploma 1980&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
SACAE Post Graduate Diploma in Counselling 1995&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
University of South Australia Cert IV Art Practice 2001&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
TAFE SA Currently student of Bachelor Degree of Visual Arts and Design&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Text written by Lindi Harris&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&amp;nbsp;&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="postquote"&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7479015121111274257?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7479015121111274257/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7479015121111274257&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7479015121111274257'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7479015121111274257'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/introducing-lindi-harris-workshop.html' title='Introducing Lindi Harris - Workshop Participant, Adelaide, South Australia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_t-n_SUc-t98/TIBxhy26dRI/AAAAAAAAFMU/wRtXmWlGVLg/s72-c/Lindi%20Harris%20Painting.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6944190839368135163</id><published>2010-09-02T19:10:00.000+12:00</published><updated>2010-09-02T19:10:03.128+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Centre'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><category scheme='http://www.blogger.com/atom/ns#' term='Bangkok'/><title type='text'>Shoutouts - Artgazine</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://http://www.artgazine.com/shoutouts/viewtopic.php?t=9906"&gt;Shoutouts on-line in Artgazine (Click on this link)&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/o0TkchOpQoYXC8UUM8829w?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/THzQ0IEbInI/AAAAAAAAFHE/jHRTYBGyEPY/s400/TheBorderCrossingArtProject_email_invitation.jpg" /&gt;&lt;a href="http://picasaweb.google.com/lh/photo/IStHLwHfcKPB6JVqpJCUWw?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/THzRpwcp3_I/AAAAAAAAFHU/jA81Uu_fVTI/s400/P1190171.JPG" /&gt;&lt;/a&gt;&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/FAaQpj4qVdmYjX0Yajzbeg?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/THzRzhRzrnI/AAAAAAAAFHo/yStWZOzR2wM/s400/P1190177.JPG" /&gt;&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/qRXZqiQXpfhUTOb2PCwgTA?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/THzSk12XNUI/AAAAAAAAFH0/hm2XvqIUt8w/s400/P1190204.JPG" /&gt;&lt;/a&gt;This video was shown as part of our exhibition at The Art Centre, of our one day workshop with Thai artists and art students.
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6944190839368135163?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6944190839368135163/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6944190839368135163&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6944190839368135163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6944190839368135163'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/shoutouts-artgazine.html' title='Shoutouts - Artgazine'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh4.ggpht.com/_t-n_SUc-t98/THzQ0IEbInI/AAAAAAAAFHE/jHRTYBGyEPY/s72-c/TheBorderCrossingArtProject_email_invitation.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-1664513572744054493</id><published>2010-09-01T18:16:00.000+12:00</published><updated>2010-09-01T18:16:06.458+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Centre'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Gallery'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Visual Representation of our Collaborative Process</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/WjfDK9x4MIBkhidK00ZCoA?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/S5Vj6K2RGWI/AAAAAAAAFGw/X5i4Mv9OSOY/s400/Diagram%2020x24%20inch%20%5Bsmall%20file%5D.jpg" /&gt;&lt;/a&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-1664513572744054493?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/1664513572744054493/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=1664513572744054493&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1664513572744054493'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1664513572744054493'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/09/visual-representation-of-our.html' title='Visual Representation of our Collaborative Process'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh3.ggpht.com/_t-n_SUc-t98/S5Vj6K2RGWI/AAAAAAAAFGw/X5i4Mv9OSOY/s72-c/Diagram%2020x24%20inch%20%5Bsmall%20file%5D.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-1506444909084789539</id><published>2010-08-30T20:58:00.001+12:00</published><updated>2010-08-30T21:08:11.908+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><title type='text'>Letting you know what we've been doing - Art4D</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/Hs1iSJs10pm9-b2AQ9jLCg?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/THtxUKBQv_I/AAAAAAAAFEs/MDJeBUzyVYE/s400/art4d%20page%2018.jpg" /&gt;&lt;/a&gt;&lt;a href="http://picasaweb.google.com/lh/photo/pcfvqbSN4bi7rUV6n1hPXg?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/THtxgf77FZI/AAAAAAAAFEw/SWWGhoqu3ow/s400/art4d%20page%2024.jpg" /&gt;&lt;/a&gt;
&lt;p&gt;Click on the images to enlarge.&lt;/p&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-1506444909084789539?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/1506444909084789539/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=1506444909084789539&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1506444909084789539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1506444909084789539'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/08/letting-you-know-what-weve-been-doing_30.html' title='Letting you know what we&apos;ve been doing - Art4D'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh4.ggpht.com/_t-n_SUc-t98/THtxUKBQv_I/AAAAAAAAFEs/MDJeBUzyVYE/s72-c/art4d%20page%2018.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3794786250181206463</id><published>2010-08-29T22:39:00.002+12:00</published><updated>2010-08-29T22:45:34.397+12:00</updated><title type='text'>Letting you know what we've been doing - Daybeds Magazine</title><content type='html'>&lt;div class="postbody"&gt;
The Border Crossing Art Project was featured in &lt;a href="http://www.daybedsmagazine.com/"&gt;Daybeds&lt;/a&gt;, the premier lifestyle magazine in Thailand.  We were interviewed on the show's opening night, 5th February 2010.
&lt;a title="View Border Crossing in Daybeds, Mar '10 on Scribd" href="http://www.scribd.com/doc/36575801/Border-Crossing-in-Daybeds-Mar-10" style="margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;"&gt;Border Crossing in Daybeds, Mar '10&lt;/a&gt; &lt;object id="doc_865862637103899" name="doc_865862637103899" height="500" width="100%" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline:none;" rel="media:document" resource="http://d1.scribdassets.com/ScribdViewer.swf?document_id=36575801&amp;access_key=key-1bgd436rqpyg1s4n8fyl&amp;page=1&amp;viewMode=list" &gt; &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt; &lt;param name="wmode" value="opaque"&gt; &lt;param name="bgcolor" value="#ffffff"&gt; &lt;param name="allowFullScreen" value="true"&gt; &lt;param name="allowScriptAccess" value="always"&gt; &lt;param name="FlashVars" value="document_id=36575801&amp;access_key=key-1bgd436rqpyg1s4n8fyl&amp;page=1&amp;viewMode=list"&gt; &lt;embed id="doc_865862637103899" name="doc_865862637103899" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=36575801&amp;access_key=key-1bgd436rqpyg1s4n8fyl&amp;page=1&amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="500" width="100%" wmode="opaque" bgcolor="#ffffff"&gt;&lt;/embed&gt; &lt;/object&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3794786250181206463?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3794786250181206463/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3794786250181206463&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3794786250181206463'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3794786250181206463'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/08/letting-you-know-what-weve-been-doing.html' title='Letting you know what we&apos;ve been doing - Daybeds Magazine'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4796123106476205099</id><published>2010-02-20T04:29:00.002+13:00</published><updated>2010-02-20T04:35:07.273+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Centre'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><category scheme='http://www.blogger.com/atom/ns#' term='Bangkok'/><title type='text'>Border Crossing Workshop in Bangkok</title><content type='html'>&lt;div class="postbody"&gt;
&lt;p&gt;The inaugural workshop was held at The Art Center, 7th Floor, Academic Resources, Chulalongkorn University, in Bangkok, on the first of February.  Students and invited artists brought along an artwork which was selected at random to pass to another student or artist who painted or drew on top of it.  It was a great success; the participants enjoyed the workshop and responded well to the challenge, and some great works were produced.  All the works are documented, and all the documentation and a selection of the works will be shown in Australia in September.&lt;/p&gt;
Here are some photos of the workshop.&lt;/p&gt;
&lt;embed type="application/x-shockwave-flash" src="http://picasaweb.google.com/s/c/bin/slideshow.swf" width="400" height="267" flashvars="host=picasaweb.google.com&amp;hl=en_US&amp;feat=flashalbum&amp;RGB=0x000000&amp;feed=http%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2FKiwiinSingas%2Falbumid%2F5439975984035754913%3Falt%3Drss%26kind%3Dphoto%26hl%3Den_US" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;
&lt;/div&gt;
&lt;div class="postquote"&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4796123106476205099?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4796123106476205099/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4796123106476205099&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4796123106476205099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4796123106476205099'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/02/border-crossing-workshop-in-bangkok.html' title='Border Crossing Workshop in Bangkok'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4106438166324780976</id><published>2010-01-06T16:27:00.001+13:00</published><updated>2010-01-06T16:27:09.440+13:00</updated><title type='text'>Exhibition Opening Events - Bangkok, Australia and New Zealand</title><content type='html'>
&lt;p&gt;'&amp;gt;&lt;a href="http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s1600-h/BorrowedNostalgia.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s320/BorrowedNostalgia.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Hi friends,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;We're thrilled to invite you to the opening of:&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Border Crossing Art Project&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;6pm&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Friday 5th February 2010&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 6th Feb for international and other friends who can not attend the opening on the 5th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Art Center, 7th Floor, Center of Academic Resources (Central Library) Chulalongkorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition is open for one month, with student and professional artist workshops being held during this time.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Tel. 0-2218-2965&lt;/p&gt;  &lt;p&gt;Fax. 0-2218-2907&lt;/p&gt;  &lt;p&gt;E-mail: mailto://&lt;a href="mailto:info.artcenterchula@gmail.com"&gt;info.artcenterchula@gmail.com&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Gallery Hours: Monday - Friday 9.00-19.00 hr&lt;/p&gt;  &lt;p&gt;Saturday 9.00-16.00 hr&lt;/p&gt;  &lt;p&gt;Closed on Sunday &amp;amp; Public Holidays&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.car.chula.ac.th/art/en/?page_id=45"&gt;http://www.car.chula.ac.th/art/en/?page_id=45&lt;/a&gt; (for map)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Border Crossing Art Project is touring to The Light Square Gallery, Adelaide, South Australia in late September 2010 then to New Zealand in 2011 (date and venue to be confirmed). &amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Thank you for your support and we hope you get the opportunity to view the work at one of the venues and/or on-line at &lt;a href="http://thebordercrossingartproject.blogspot.com/"&gt;http://thebordercrossingartproject.blogspot.com/&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The blog will be up-dated during the exhibitions and will be interactive for the public to participate.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;The Light Square Gallery, Adelaide, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Helpmann Academy, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The University of South Australia (who will be holding a VIP function in conjunction with the project).&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is curated by Wendy Grace Allen. &amp;nbsp;Collaborating artists are Dr Apichart Pholprasert (Thailand) and Helen Stacey (Australia)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;You are also invited to attend the exhibition opening&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Rural Go Go - An exhibition of glass and bronze sculptures and photography&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Solo Exhibition by Wendy Grace Allen&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Co-ordinated by Apichart Pholprasert&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;6pm Wed. 24th February 2010&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 27th Feb for international and other friends who can not attend the opening on the 24th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Jamjuree Gallery&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Chulalongchorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition will be open until the 15th March 2010.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Rural Go Go is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Cheers,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Wendy&lt;/p&gt;  &lt;p /&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/exhibition-opening-events-bangkok-australia-a-3"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4106438166324780976?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4106438166324780976/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4106438166324780976&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4106438166324780976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4106438166324780976'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/01/exhibition-opening-events-bangkok_3844.html' title='Exhibition Opening Events - Bangkok, Australia and New Zealand'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s72-c/BorrowedNostalgia.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7962667596072668598</id><published>2010-01-06T16:21:00.001+13:00</published><updated>2010-01-06T16:21:42.542+13:00</updated><title type='text'>Exhibition Opening Events - Bangkok, Australia and New Zealand</title><content type='html'>
&lt;p&gt;'&amp;gt;&lt;a href="http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s1600-h/BorrowedNostalgia.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s320/BorrowedNostalgia.jpg" border="0" alt="" /&gt;&lt;/a&gt;&amp;amp;nbsp;&amp;lt;/div&amp;gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Hi friends,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;We're thrilled to invite you to the opening of:&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Border Crossing Art Project&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;6pm&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Friday 5th February 2010&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 6th Feb for international and other friends who can not attend the opening on the 5th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Art Center, 7th Floor, Center of Academic Resources (Central Library) Chulalongkorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition is open for one month, with student and professional artist workshops being held during this time.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Tel. 0-2218-2965&lt;/p&gt;  &lt;p&gt;Fax. 0-2218-2907&lt;/p&gt;  &lt;p&gt;E-mail: mailto://&lt;a href="mailto:info.artcenterchula@gmail.com"&gt;info.artcenterchula@gmail.com&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Gallery Hours: Monday - Friday 9.00-19.00 hr&lt;/p&gt;  &lt;p&gt;Saturday 9.00-16.00 hr&lt;/p&gt;  &lt;p&gt;Closed on Sunday &amp;amp; Public Holidays&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.car.chula.ac.th/art/en/?page_id=45"&gt;http://www.car.chula.ac.th/art/en/?page_id=45&lt;/a&gt; (for map)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Border Crossing Art Project is touring to The Light Square Gallery, Adelaide, South Australia in late September 2010 then to New Zealand in 2011 (date and venue to be confirmed). &amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Thank you for your support and we hope you get the opportunity to view the work at one of the venues and/or on-line at &lt;a href="http://thebordercrossingartproject.blogspot.com/"&gt;http://thebordercrossingartproject.blogspot.com/&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The blog will be up-dated during the exhibitions and will be interactive for the public to participate.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;The Light Square Gallery, Adelaide, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Helpmann Academy, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The University of South Australia (who will be holding a VIP function in conjunction with the project).&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is curated by Wendy Grace Allen. &amp;nbsp;Collaborating artists are Dr Apichart Pholprasert (Thailand) and Helen Stacey (Australia)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;You are also invited to attend the exhibition opening&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Rural Go Go - An exhibition of glass and bronze sculptures and photography&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Solo Exhibition by Wendy Grace Allen&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Co-ordinated by Apichart Pholprasert&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;6pm Wed. 24th February 2010&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 27th Feb for international and other friends who can not attend the opening on the 24th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Jamjuree Gallery&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Chulalongchorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition will be open until the 15th March 2010.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Rural Go Go is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Cheers,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Wendy&lt;/p&gt;  &lt;p /&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/exhibition-opening-events-bangkok-australia-a-2"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7962667596072668598?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7962667596072668598/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7962667596072668598&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7962667596072668598'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7962667596072668598'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/01/exhibition-opening-events-bangkok_1292.html' title='Exhibition Opening Events - Bangkok, Australia and New Zealand'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s72-c/BorrowedNostalgia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-5221152215204807324</id><published>2010-01-06T16:19:00.001+13:00</published><updated>2010-01-06T16:19:45.523+13:00</updated><title type='text'>Exhibition Opening Events - Bangkok, Australia and New Zealand</title><content type='html'>
&lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s1600-h/BorrowedNostalgia.jpg'&amp;gt;&amp;lt;img src='http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s320/BorrowedNostalgia.jpg' border='0' alt='' /&amp;gt;&amp;lt;/a&amp;gt;&amp;amp;nbsp;&amp;lt;/div&amp;gt;&lt;/p&gt;  &lt;p&gt;Hi friends,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;We're thrilled to invite you to the opening of:&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Border Crossing Art Project&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;6pm&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Friday 5th February 2010&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 6th Feb for international and other friends who can not attend the opening on the 5th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Art Center, 7th Floor, Center of Academic Resources (Central Library) Chulalongkorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition is open for one month, with student and professional artist workshops being held during this time.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Tel. 0-2218-2965&lt;/p&gt;  &lt;p&gt;Fax. 0-2218-2907&lt;/p&gt;  &lt;p&gt;E-mail: mailto://&lt;a href="mailto:info.artcenterchula@gmail.com"&gt;info.artcenterchula@gmail.com&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Gallery Hours: Monday - Friday 9.00-19.00 hr&lt;/p&gt;  &lt;p&gt;Saturday 9.00-16.00 hr&lt;/p&gt;  &lt;p&gt;Closed on Sunday &amp;amp; Public Holidays&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.car.chula.ac.th/art/en/?page_id=45"&gt;http://www.car.chula.ac.th/art/en/?page_id=45&lt;/a&gt; (for map)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Border Crossing Art Project is touring to The Light Square Gallery, Adelaide, South Australia in late September 2010 then to New Zealand in 2011 (date and venue to be confirmed). &amp;nbsp;&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Thank you for your support and we hope you get the opportunity to view the work at one of the venues and/or on-line at &lt;a href="http://thebordercrossingartproject.blogspot.com/"&gt;http://thebordercrossingartproject.blogspot.com/&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The blog will be up-dated during the exhibitions and will be interactive for the public to participate.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;The Light Square Gallery, Adelaide, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Helpmann Academy, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The University of South Australia (who will be holding a VIP function in conjunction with the project).&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is curated by Wendy Grace Allen. &amp;nbsp;Collaborating artists are Dr Apichart Pholprasert (Thailand) and Helen Stacey (Australia)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;You are also invited to attend the exhibition opening&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Rural Go Go - An exhibition of glass and bronze sculptures and photography&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Solo Exhibition by Wendy Grace Allen&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Co-ordinated by Apichart Pholprasert&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;6pm Wed. 24th February 2010&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 27th Feb for international and other friends who can not attend the opening on the 24th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Jamjuree Gallery&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Chulalongchorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition will be open until the 15th March 2010.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Rural Go Go is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Cheers,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Wendy&lt;/p&gt;  &lt;p /&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/exhibition-opening-events-bangkok-australia-a-0"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-5221152215204807324?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/5221152215204807324/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=5221152215204807324&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/5221152215204807324'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/5221152215204807324'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/01/exhibition-opening-events-bangkok_06.html' title='Exhibition Opening Events - Bangkok, Australia and New Zealand'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-1423304343387488402</id><published>2010-01-06T16:17:00.001+13:00</published><updated>2010-01-06T16:17:20.234+13:00</updated><title type='text'>Exhibition Opening Events - Bangkok, Australia and New Zealand</title><content type='html'>
&lt;p&gt;  &lt;p&gt;&amp;lt;div style='text-align:center;margin:0px auto 10px;'&amp;gt;&lt;a href="http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s1600-h/BorrowedNostalgia.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s320/BorrowedNostalgia.jpg" border="0" alt="" /&gt;&lt;/a&gt;&amp;amp;nbsp;&amp;lt;/div&amp;gt;&lt;/p&gt;  &lt;p&gt;Hi friends,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;We're thrilled to invite you to the opening of:&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;lt;b&amp;gt;The Border Crossing Art Project&lt;/p&gt;  &lt;p&gt;6pm&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Friday 5th February 2010 &amp;lt;/b&amp;gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 6th Feb for international and other friends who can not attend the opening on the 5th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;The Art Center, 7th Floor, Center of Academic Resources (Central Library) Chulalongkorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition is open for one month, with student and professional artist workshops being held during this time.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Tel. 0-2218-2965&lt;/p&gt;  &lt;p&gt;Fax. 0-2218-2907&lt;/p&gt;  &lt;p&gt;E-mail: mailto://&lt;a href="mailto:info.artcenterchula@gmail.com"&gt;info.artcenterchula@gmail.com&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Gallery Hours: Monday - Friday 9.00-19.00 hr&lt;/p&gt;  &lt;p&gt;Saturday 9.00-16.00 hr&lt;/p&gt;  &lt;p&gt;Closed on Sunday &amp;amp; Public Holidays&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.car.chula.ac.th/art/en/?page_id=45"&gt;http://www.car.chula.ac.th/art/en/?page_id=45&lt;/a&gt; (for map)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;lt;b&amp;gt;The Border Crossing Art Project is touring to The Light Square Gallery, Adelaide, South Australia in late September 2010 then to New Zealand in 2011 (date and venue to be confirmed). &amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;lt;/b&amp;gt;&lt;/p&gt;  &lt;p&gt;Thank you for your support and we hope you get the opportunity to view the work at one of the venues and/or on-line at &lt;a href="http://thebordercrossingartproject.blogspot.com/"&gt;http://thebordercrossingartproject.blogspot.com/&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The blog will be up-dated during the exhibitions and will be interactive for the public to participate.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;The Light Square Gallery, Adelaide, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Helpmann Academy, South Australia&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The University of South Australia (who will be holding a VIP function in conjunction with the project).&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The Border Crossing Art Project is curated by Wendy Grace Allen. &amp;nbsp;Collaborating artists are Dr Apichart Pholprasert (Thailand) and Helen Stacey (Australia)&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;You are also invited to attend the exhibition opening&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;lt;b&amp;gt;Rural Go Go - An exhibition of glass and bronze sculptures and photography&lt;/p&gt;  &lt;p&gt;Solo Exhibition by Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;Co-ordinated by Apichart Pholprasert&lt;/p&gt;  &lt;p&gt;&amp;lt;/b&amp;gt;&lt;/p&gt;  &lt;p&gt;&amp;lt;b&amp;gt;6pm Wed. 24th February 2010&amp;lt;/b&amp;gt;&lt;/p&gt;  &lt;p&gt;(A special opening will be held on Sat. 27th Feb for international and other friends who can not attend the opening on the 24th)&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Jamjuree Gallery&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Chulalongchorn University, Bangkok, Thailand&lt;/strong&gt;&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;The exhibition will be open until the 15th March 2010.&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Rural Go Go is generously supported by:&lt;/p&gt;  &lt;p&gt;Chulalongkorn University, Bangkok, Thailand&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Cheers,&lt;/p&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Wendy&lt;/p&gt;  &lt;p /&gt;  &lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/exhibition-opening-events-bangkok-australia-a"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-1423304343387488402?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/1423304343387488402/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=1423304343387488402&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1423304343387488402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1423304343387488402'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2010/01/exhibition-opening-events-bangkok.html' title='Exhibition Opening Events - Bangkok, Australia and New Zealand'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_t-n_SUc-t98/S0P93bqw7aI/AAAAAAAACoA/mY3T1PwYg8Q/s72-c/BorrowedNostalgia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-921983027294258418</id><published>2009-12-01T04:58:00.001+13:00</published><updated>2009-12-01T04:58:25.784+13:00</updated><title type='text'>Day 28 - 30 Secret</title><content type='html'>
&lt;p style="text-align: center;"&gt;&lt;img class="size-medium wp-image-3539" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170734-resize-300x225.jpg" height="225" alt="I'm making a silicon mould of rice." width="300" /&gt;&lt;br /&gt;I'm making a silicon mould of rice.&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt; Kia ora koutou, &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;Welcome to my last post to end my time as a 30 day artist.  Above is a picture of a silicon mould I'm making of rice that will be cast in bronze.  It is a bit more involved to make the mould than it looks, as the correct amount of hardener needs to be added to the rubber as will as additional additives if the rubber is too thin.  It can be very messy. &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;I've also been busy finishing an application relating to one of my up and coming exhibitions in Bangkok.  That's another aspect of an artists life, finding galleries to show artwork and finding/making the money to fund the endeavour, which all takes time. &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;If you've been checking this blog and I haven't posted some days it's because I have a secret to share with you.  I'm excited to tell you, I'm three and a half months pregnant.  So, during the past month whilst I've been making all this art and travelling etc, I've had bad day and night morning sickness and exhaustion.  Although I've wanted to post something everyday, I haven't managed to be able to. &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;I've posted images of my bronze sculpture, glass sculptures, and paintings over the past 30 days.  Which of my artworks do like the best and why?  You're comments are much appreciated.    Thanks to those who have taken the time to write a comment and thank you everyone for looking at my blog postings.  I hope you have found it interesting? &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;Information about me and the international&amp;nbsp;The Border Crossing Art Project I'm curating and exhibiting in, which is opening in Bangkok in February 2010,  can be found at &lt;a href="http://thebordercrossingartproject.blogspot.com/"&gt;http://thebordercrossingartproject.blogspot.com/&lt;/a&gt;, or you can find me on Twitter as "Remarque Studio". &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;If you're interested in collaborating in a project, would like to exhibit my work in your gallery or would like me to lead a workshop please contact me via a link from the sites above. &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;Best wishes for your life and your creative endeavours whatever they may be. &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;Hei konā mai, Wendy &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; font-size: 16px; line-height: 24px;"&gt;Wendy Grace Allen &lt;/span&gt;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-28-30-secret"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-921983027294258418?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/921983027294258418/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=921983027294258418&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/921983027294258418'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/921983027294258418'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-28-30-secret.html' title='Day 28 - 30 Secret'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-9199277156567984291</id><published>2009-11-29T05:03:00.002+13:00</published><updated>2009-11-29T05:07:33.332+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><title type='text'>Day 27 - Rice Impression</title><content type='html'>&lt;p style="text-align: center;"&gt;&lt;img class="size-medium wp-image-3448" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170731_resized-300x225.jpg" height="225" alt="Detail added to bronze Gong Khao (Rice Box) " width="300" /&gt;&lt;br /&gt;Detail added to bronze Gong Khao (Rice Box)&lt;/p&gt;  &lt;p style="text-align: center;"&gt;&lt;img class="size-medium wp-image-3449" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170732_resized-300x225.jpg" height="225" alt="Inside detail added to Gong Khao (Rice Box)" width="300" /&gt;&lt;br /&gt;Inside detail added to Gong Khao (Rice Box)&lt;/p&gt;  &lt;p style="text-align: center;"&gt;&lt;img class="aligncenter size-medium wp-image-3454" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170732_detail-300x200.jpg" height="200" alt="Detail of rice pattern" width="300" /&gt;&lt;br /&gt;Detail of rice pattern&lt;/p&gt;  &lt;p&gt;I've found a way to "imprint" the rice onto the inside of the bronze rice box.  If you look at the earlier post of this image on &lt;a href="http://thebordercrossingartproject.blogspot.com/2009/11/day-10-bronze.html"&gt;"Day 10"&lt;/a&gt;, it is smooth and shiny inside.&lt;/p&gt;  &lt;p&gt;Cheers&lt;br /&gt;Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-27-rice-impression"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-9199277156567984291?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/9199277156567984291/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=9199277156567984291&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/9199277156567984291'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/9199277156567984291'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-27-rice-impression.html' title='Day 27 - Rice Impression'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3983634205794987252</id><published>2009-11-29T04:57:00.001+13:00</published><updated>2009-11-29T04:57:59.737+13:00</updated><title type='text'>Day 26 - Bronze Casting Process</title><content type='html'>
&lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Bronze Casting Process - This is how I make my bronze sculptures&lt;/strong&gt;&lt;/p&gt;  &lt;ol&gt;  &lt;li&gt;A sculpture is made in clay or wax or some other media.&lt;/li&gt;  &lt;li&gt;If the sculpture is made in a medium other than wax, a mould of silicon or plaster (or a combination of the two) is made of the sculpture, then the sculpture is removed from the mould and wax is poured into the cavity.&lt;/li&gt;  &lt;li&gt;Any imperfections in the wax are touched up.&lt;/li&gt;  &lt;li&gt;A pouring vent and channels to allow the molten bronze to flow into the sculpture (called &lt;em&gt;runners&lt;/em&gt;) are made of wax and attached to the wax sculpture. The pouring vent becomes the spout that the bronze is poured in through. Vents to let air escape from the mould (called &lt;em&gt;risers&lt;/em&gt;) are also added to the wax.&lt;/li&gt;  &lt;li&gt;A ceramic mould is made of the wax.  The ceramic mould has to be able to withstand having bronze poured into it at 1200 -1400 degrees celsius.&lt;/li&gt;  &lt;li&gt;The wax is melted out of the ceramic mould.&lt;/li&gt;  &lt;li&gt;Molten bronze is poured into the cavity of the ceramic mould.&lt;/li&gt;  &lt;li&gt;Once cool, the ceramic mould is cracked open to reveal the bronze.&lt;/li&gt;  &lt;li&gt;The runners and risers and the pouring vent are cut off.&lt;/li&gt;  &lt;li&gt;Grinders are used to remove and smooth excess metal.&lt;/li&gt;  &lt;li&gt;The sculpture is checked for imperfections such as small pin holes that may need filling in.&lt;/li&gt;  &lt;li&gt;A coloured patina (chemical colour) is painted on and fused onto the sculpture with heat.&lt;/li&gt;  &lt;li&gt;The finished bronze is signed with metal etching tools and polished.&lt;/li&gt;  &lt;/ol&gt;  &lt;p&gt;Here is a link to a video I took of sculptures and some of the bronze casting process at the Asia Fine Arts Foundry in Attuhaya, Thailand: &lt;a href="http://www.youtube.com/watch?v=MIx5VNh0-Zo"&gt;Bronze Casting in Attuhaya&lt;/a&gt;.&lt;/p&gt;  &lt;p&gt;Cheers,&lt;br /&gt;Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-26-bronze-casting-process"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3983634205794987252?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3983634205794987252/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3983634205794987252&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3983634205794987252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3983634205794987252'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-26-bronze-casting-process.html' title='Day 26 - Bronze Casting Process'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6232274610931751149</id><published>2009-11-29T04:56:00.001+13:00</published><updated>2009-11-29T04:56:24.374+13:00</updated><title type='text'>Day 25 - Myth</title><content type='html'>
&lt;p style="text-align: center;"&gt;&lt;img class="size-medium wp-image-3444" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170137-resize-225x300.jpg" height="300" alt="Myth - Wendy Grace Allen" width="225" /&gt;&lt;br /&gt;Myth - Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;Here's a mixed media artwork that's almost complete.  I have quite a few works in progress at the moment including the silicon moulds I'm making.  Today, I was also working on a grant application for one of my exhibitions.  Deadlines, deadlines... I also went to the printers to deliver and then pick up and for physiotherapy for my sore neck and back, which required three trips to the hospital (basically because the Dr and then the physio's weren't available and I had to return later). After all that, it's time for bed.&lt;/p&gt;  &lt;p&gt;Goodnight,&lt;br /&gt;Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-25-myth"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6232274610931751149?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6232274610931751149/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6232274610931751149&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6232274610931751149'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6232274610931751149'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-25-myth.html' title='Day 25 - Myth'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6282702943633919925</id><published>2009-11-29T04:53:00.001+13:00</published><updated>2009-11-29T04:53:56.091+13:00</updated><title type='text'>Day 24 - Impressions of Thai Rice Paddy Fields</title><content type='html'>
&lt;p style="text-align: center;"&gt;&lt;img class="size-medium wp-image-3437" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1120314_resized-300x194.jpg" height="194" alt="Banpao - Impressions of Rice Paddy Fields - Wendy Grace Allen" width="300" /&gt;&lt;br /&gt;Banpao - Impressions of Rice Paddy Fields - Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;Here's another painting, it's based on my experience in Banpao village in North East Thailand.  The village is surrounded by rice paddy fields and the rice is the major source of income for the majority of the villagers.&lt;/p&gt;  &lt;p&gt;I'm still working on the silicon moulds to show you.&lt;/p&gt;  &lt;p&gt;Until tomorrow,&lt;br /&gt;Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-24-impressions-of-thai-rice-paddy-fields"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6282702943633919925?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6282702943633919925/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6282702943633919925&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6282702943633919925'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6282702943633919925'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-24-impressions-of-thai-rice-paddy.html' title='Day 24 - Impressions of Thai Rice Paddy Fields'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4236514755764639040</id><published>2009-11-29T04:51:00.001+13:00</published><updated>2009-11-29T04:51:02.629+13:00</updated><title type='text'>Day 23 - Painting</title><content type='html'>
&lt;p style="text-align: center;"&gt;&lt;img class="size-medium wp-image-3433" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1120626-300x188.jpg" height="188" alt="Blue and Red Abstract - Wendy Grace Allen" width="300" /&gt;&lt;br /&gt;Blue and Red Abstract - Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;&lt;span style="background-color: #f9f9f9; font-family: Lucida Grande, Verdana, Arial, Bitstream Vera Sans, sans-serif; line-height: 19px;"&gt;Here's one of my finished paintings.  Cheers, Wendy &lt;/span&gt;&lt;/p&gt;   &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-23-painting"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4236514755764639040?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4236514755764639040/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4236514755764639040&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4236514755764639040'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4236514755764639040'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-23-painting.html' title='Day 23 - Painting'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-962182014453971392</id><published>2009-11-23T03:05:00.001+13:00</published><updated>2009-11-23T03:05:45.478+13:00</updated><title type='text'>Days 19 - 22, Art Expo Malaysia</title><content type='html'>
&lt;div style="text-align: center;"&gt;&lt;a href="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160985_resized.jpg"&gt;&lt;img class="size-medium wp-image-3409" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160985_resized-300x225.jpg" height="225" alt="Arteri stall at the Malaysian Art Expo." width="300" /&gt;&lt;/a&gt;&lt;br /&gt;Arteri stall at the Malaysian Art Expo.&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;div style="text-align: center;"&gt;&lt;a href="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160981_resized.jpg"&gt;&lt;img class="size-medium wp-image-3408" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160981_resized-225x300.jpg" height="300" alt="3-dimensional paintings in a suitcase - Wendy Grace Allen." width="225" /&gt;&lt;/a&gt;&lt;br /&gt;3-dimensional paintings in a suitcase - Wendy Grace Allen.&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;div style="text-align: center;"&gt;&lt;a href="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160986_resized.jpg"&gt;&lt;img class="size-medium wp-image-3416" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160986_resized-300x225.jpg" height="225" alt="Arteri - Art in a Suitcase Expo stand showing my work" width="300" /&gt;&lt;/a&gt;&lt;br /&gt;Arteri - Art in a Suitcase Expo stand showing my work.&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;div style="text-align: center;"&gt;&lt;a href="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160990_resized.jpg"&gt;&lt;img class="size-medium wp-image-3422" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160990_resized-300x225.jpg" height="225" alt="Me and my suitcase of 18 small artworks" width="300" /&gt;&lt;/a&gt;&lt;br /&gt;Me and my suitcase of 18 small artworks.&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;div style="text-align: center;"&gt;&lt;a href="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170002_resized.jpg"&gt;&lt;img class="size-medium wp-image-3417" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170002_resized-225x300.jpg" height="300" alt="Sculpture by Jes&amp;amp;uacute;s Curi&amp;amp;aacute; from Spain" width="225" /&gt;&lt;/a&gt;&lt;br /&gt;Sculpture by Jes&amp;uacute;s Curi&amp;aacute; from Spain.&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;div style="text-align: center;"&gt;&lt;a href="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170019_resized.jpg"&gt;&lt;img class="size-medium wp-image-3418" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170019_resized-300x225.jpg" height="225" alt="Autumn's Fragrance by Korean artist Yoon, Byung Rock" width="300" /&gt;&lt;/a&gt;&lt;br /&gt;Autumn's Fragrance by Korean artist Yoon, Byung Rock.&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;div style="text-align: center;"&gt;&lt;a href="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170054_resized.jpg"&gt;&lt;img class="size-medium wp-image-3419" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1170054_resized-300x225.jpg" height="225" alt="Malaysian artist Cheah Yew Saik, in front of his painting in the Special Tribute Pavillion to his work" width="300" /&gt;&lt;/a&gt;&lt;br /&gt;Malaysian artist Cheah Yew Saik, in front of his painting in the Special Tribute Pavillion to his work.&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Hi.  I have just got back from KL, where I took some work to be displayed in the Arteri stall at the Malaysian Art Expo.&lt;/p&gt;  &lt;p&gt;There are 14 countries represented at the expo, which is on from 19th-23rd November at Matrade, Kuala Lumpur. Here's a few pictures to give you a glimpse of the work at the show.  I enjoyed my visit to the expo.  There was a diversity of work represented although paintings are predominant of varying quality from outstanding to plain boring.  If you managed to go to the expo what was your opinion?&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.artexpomalaysia.com/"&gt;http://www.artexpomalaysia.com/&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;Cheers, Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/days-19-22-art-expo-malaysia"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-962182014453971392?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/962182014453971392/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=962182014453971392&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/962182014453971392'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/962182014453971392'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/days-19-22-art-expo-malaysia.html' title='Days 19 - 22, Art Expo Malaysia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7561817766194955791</id><published>2009-11-19T05:49:00.003+13:00</published><updated>2009-11-19T05:49:44.495+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><title type='text'>Day 18 - KL</title><content type='html'>&lt;div class="postbody"&gt;
&lt;div style="text-align:center"&gt;
&lt;p&gt;&lt;img class="size-medium wp-image-3388" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160927-300x225.jpg" alt="Painting 11 - (work in progress) - Wendy Grace Allen" width="300" height="225" /&gt;&lt;br /&gt;Painting 11 - (work in progress) - Wendy Grace Allen&lt;/p&gt;
&lt;p&gt;&lt;img class="size-medium wp-image-3389" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160929-300x225.jpg" alt="Painting 12 - (work in progress) - Wendy Grace Allen" width="300" height="225" /&gt;&lt;br /&gt;Painting 12 - (work in progress) - Wendy Grace Allen&lt;/p&gt;
&lt;p&gt;&lt;img class="size-full wp-image-3390" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160941_resized.jpg" alt="Painting 13 - (work in progress) - Wendy Grace Allen" width="244" height="183" /&gt;&lt;br /&gt;Painting 13 - (work in progress) - Wendy Grace Allen&lt;/p&gt;
&lt;p&gt;&lt;img class="size-full wp-image-3391" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160942_resized.jpg" alt="Painting 14 - (work in progress) - Wendy Grace Allen" width="244" height="183" /&gt;&lt;br /&gt;Painting 14 - (work in progress) - Wendy Grace Allen&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;Hello KL (Kuala Lumpur),&lt;/p&gt;
&lt;p&gt;I've just returned from dropping off a suitcase of paintings for the Arteri stand at the Malaysian Art Expo.  Tomorrow I will go to the opening and have a look at the exhibits which come from around Sth East Asia.  Maybe I'll bump into a couple of artists I know?&lt;/p&gt;
&lt;p&gt;Cheers, Wendy&lt;/p&gt;&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7561817766194955791?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7561817766194955791/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7561817766194955791&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7561817766194955791'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7561817766194955791'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-18-kl_18.html' title='Day 18 - KL'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3909380527764786079</id><published>2009-11-19T05:41:00.003+13:00</published><updated>2009-11-19T05:51:15.627+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><title type='text'>Day 17 - Oops</title><content type='html'>&lt;div style="text-align: center;"&gt;  &lt;p&gt;&lt;img class="size-full wp-image-3374" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160936_resized.jpg" height="183" alt="Painting 7 - (work in progress) - Wendy Grace Allen" width="244" /&gt;&lt;br /&gt;Painting 7 - (work in progress) - Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;&lt;img class="size-full wp-image-3375" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160937_resized.jpg" height="183" alt="Painting 8 (work in progress) - Wendy Grace Allen" width="244" /&gt;&lt;br /&gt;Painting 8 - (work in progress) - Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;&lt;img class="size-full wp-image-3377" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160938_resized.jpg" height="183" alt="Painting 9 (work in progress) - Wendy Grace Allen" width="244" /&gt;&lt;br /&gt;Painting 9 - (work in progress) - Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;&lt;img class="size-full wp-image-3379" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160939_resized.jpg" height="183" alt="Painting 10 (work in progress) - Wendy Grace Allen" width="244" /&gt;&lt;br /&gt;Painting 10 (work in progress) - Wendy Grace Allen&lt;/p&gt;  &lt;/div&gt;  &lt;p&gt;Oops, I thought I'd posted Day 16 yesterday, but realised this morning it was still in the draft folder.  Here's a few more paintings that I've been working on.&lt;/p&gt;  &lt;p&gt;Cheers, Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-17-oops"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3909380527764786079?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3909380527764786079/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3909380527764786079&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3909380527764786079'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3909380527764786079'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-17-oops.html' title='Day 17 - Oops'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3039418368530308157</id><published>2009-11-19T05:36:00.002+13:00</published><updated>2009-11-19T05:51:35.115+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><title type='text'>Day 16 - Paintings</title><content type='html'>&lt;div style="text-align: center;"&gt;  &lt;p&gt;&lt;img class="size-medium wp-image-3368" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160934-300x225.jpg" height="225" alt="Painting 5 (work in progress) - Wendy Grace Allen" width="300" /&gt;&lt;br /&gt;Painting 5 (work in progress) - Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;&lt;img class="size-medium wp-image-3369" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160928-300x225.jpg" height="225" alt="Painting 6 (work in progress) - Wendy Grace Allen" width="300" /&gt;&lt;br /&gt;Painting 6 (work in progress) - Wendy Grace Allen&lt;/p&gt;  &lt;/div&gt;  &lt;p&gt;Two more paintings in progress.  I'll have more to show you tomorrow.&lt;/p&gt;  &lt;p&gt;Cheers, Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-16-paintings"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3039418368530308157?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3039418368530308157/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3039418368530308157&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3039418368530308157'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3039418368530308157'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-16-paintings.html' title='Day 16 - Paintings'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-1178624695818604433</id><published>2009-11-16T05:15:00.001+13:00</published><updated>2009-11-16T05:15:57.774+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><title type='text'>Day 15 - Paintings</title><content type='html'>&lt;div class="postbody"&gt;

&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160922-300x225.jpg" alt="Painting 1 - (work in progress) - Wendy Grace Allen" /&gt;&lt;br /&gt;Painting 1 - (work in progress) - Wendy Grace Allen&lt;/div&gt;

&lt;br /&gt;

&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160931-300x225.jpg" alt="Painting 2 - (work in progress) - Wendy Grace Allen" width="225" /&gt;&lt;br /&gt;Painting 2 - (work in progress) - Wendy Grace Allen&lt;/div&gt;

&lt;br /&gt;

&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160933-300x225.jpg" alt="Painting 3 - (work in progress) - Wendy Grace Allen" width="225" /&gt;&lt;br /&gt;Painting 3 - (work in progress) - Wendy Grace Allen&lt;/div&gt;

&lt;p&gt;Since returning from Thailand yesterday, I've been working on these paintings.   I'll work on several paintings at once and build up layers, overlaying paint and mixed media once each layer is dry.  A completed painting can take days or weeks.&lt;/p&gt;

&lt;p&gt;I'll be painting in my studio at home tomorrow,&lt;br /&gt;
Wendy&lt;/p&gt;

&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-1178624695818604433?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/1178624695818604433/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=1178624695818604433&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1178624695818604433'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1178624695818604433'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-15-paintings.html' title='Day 15 - Paintings'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6406944466296038062</id><published>2009-11-15T03:51:00.000+13:00</published><updated>2009-11-16T05:04:03.433+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><category scheme='http://www.blogger.com/atom/ns#' term='God'/><category scheme='http://www.blogger.com/atom/ns#' term='Bangkok'/><title type='text'>Day 14 - God in Bangkok - Amazing!</title><content type='html'>&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/IMGP2806-225x300.jpg" alt="The Grand Palace - Bangkok" width="225" /&gt;&lt;br /&gt;The Grand Palace - Bangkok&lt;/div&gt;

&lt;br /&gt;

&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/IMGP2491-225x300.jpg" alt="Bangkok Traffic Jam (Rot tet)" width="225" /&gt;&lt;br /&gt;Bangkok Traffic Jam (Rot tet)&lt;/div&gt;

&lt;p&gt;I finished filming my video for my exhibition in Ban Pao, so I took the 7 hour bus journey back to Bangkok. The bus arrived at the inconvenient time of 2.10am. When I got off the bus, the man who&amp;#39;d been sitting next to me offered to share a taxi with me. He said he was travelling to a similar area. In the taxi, we realised that we were going to the same lane (Pridi) off the same side road (Soi) off a major road. Amazing! Bangkok is a city of an estimated 12 million people and we were going to the same small street. There are at least 107 side streets (Soi&amp;#39;s) off Sukhumvit Road (Thanon Sukhumvit) which is a highway 400km&amp;#39;s long and we were going to the same lane off the same Soi! Some people call this co-incidence, I know it&amp;#39;s God. I prayed earlier in the day and God answered my prayer but not in the way I expected. In predominantly Buddhist Thailand, God was in action.&lt;/p&gt;

&lt;p&gt;There&amp;#39;s even a wiki entry about the road if you want to find out more: &lt;a href="http://en.wikipedia.org/wiki/Sukhumvit_Road"&gt;http://en.wikipedia.org/wiki/Sukhumvit_Road&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Check out tomorrow&amp;#39;s post to see some of my paintings,&lt;br /&gt;Wendy&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6406944466296038062?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6406944466296038062/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6406944466296038062&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6406944466296038062'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6406944466296038062'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-14-god-in-bangkok-amazing.html' title='Day 14 - God in Bangkok - Amazing!'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6838504794786377853</id><published>2009-11-14T03:14:00.000+13:00</published><updated>2009-11-16T05:03:31.405+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><category scheme='http://www.blogger.com/atom/ns#' term='Bangkok'/><title type='text'>Day 13 - Art in Bangkok (Krung Thep)</title><content type='html'>&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160825-225x300.jpg" alt="Red Face by Somchai Wacharasombat" width="225" /&gt;&lt;br /&gt;Red Face by Somchai Wacharasombat&lt;/div&gt;
&lt;br /&gt;

&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160823-225x300.jpg" alt="Yellow Face by Somchai Wacharasombat" width="225" /&gt;&lt;br /&gt;Yellow Face by Somchai Wacharasombat&lt;/div&gt;
&lt;br /&gt;

&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160808-300x225.jpg" alt="Embroidery a Space - Gi -ok Jeon" width="225" /&gt;&lt;br /&gt;Embroidery a Space - Gi -ok Jeon&lt;/div&gt;
&lt;br /&gt;

&lt;div style="text-align:center"&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160818-300x225.jpg" alt="Mindscape 6 (embroidery and chinese ink) - Gi- ok Jeon" width="225" /&gt;&lt;br /&gt;Mindscape 6 (embroidery and chinese ink) - Gi- ok Jeon&lt;/div&gt;
&lt;br /&gt;

&lt;p&gt;Two of the exhibitions I visited in Bangkok are at Jamjuree Gallery (where I will have my solo show next Feb). I&amp;#39;ve included a few pictures by a Thai artist and a Korean artist living in Bangkok. Cheers,&lt;br /&gt;Wendy&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6838504794786377853?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6838504794786377853/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6838504794786377853&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6838504794786377853'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6838504794786377853'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-13-art-in-bangkok-krung-thep.html' title='Day 13 - Art in Bangkok (Krung Thep)'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3733757351211342147</id><published>2009-11-13T04:56:00.000+13:00</published><updated>2009-11-16T05:02:39.424+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='North East Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Esaan'/><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><title type='text'>Day 12 – An Artist’s Life</title><content type='html'>&lt;div class="postbody"&gt;

&lt;p&gt;Good Morning, North East Thailand&lt;/p&gt;

&lt;p&gt;I was up before 5am because I thought that was when "Maa Yeum", Mother Yeum could help me with the interview questions (my friend had translated over the phone to her and explained what I wanted to do). She starts work at her shop at the market at 6am. She told me to be ready at 5am but I phoned my English speaking friend in Bangkok and she interpreted for me and it turns out that actually means 11am to Thai people. I was thinking it was too dark to make a video. Anyway, I went back to bed but for not too long so I could enjoy the "cool" of the day.&lt;/p&gt;

&lt;p&gt;I tried to "interview" a few ladies on my own by giving them questions written in Thai (my friend translated them for me). They did a wonderful job of reading the questions but didn't realise that I wanted them to anwser the questions! I tried to explain in broken Thai but to no avail.&lt;/p&gt;

&lt;p&gt;So, at 11am I met Maa Yeum and we went to meet a couple of ladies who could relate to my questions. I couldn't upload the videos I've made because the file size is too large but they're unedited and untranslated in Thai – Issan dialect. I don't even know what was being said yet! I'm going to interview someone else when Maa has more time this evening.&lt;br /&gt;
The video I'm making is part of my exhibition so I'm including it (well associated images because of uploading issues) as part of my art for the 30 day artist project. It's all part of my life as an artist and portrays my diverse body of work, which you'll realise if you've been following this blog.&lt;/p&gt;

&lt;p&gt;I'll go and see what else is in store for me today.&lt;/p&gt;

&lt;p&gt;Wendy&lt;/p&gt;

&lt;/div&gt;
&lt;div class="postquote"&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;br /&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3733757351211342147?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3733757351211342147/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3733757351211342147&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3733757351211342147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3733757351211342147'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/good-morning-north-east-thailand-i-was.html' title='Day 12 – An Artist’s Life'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7181815534218520806</id><published>2009-11-11T23:09:00.007+13:00</published><updated>2009-11-13T00:55:33.288+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='North East Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Esaan'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Interviews'/><title type='text'>Day 11 - Thai Village Life</title><content type='html'>&lt;center&gt;&lt;br /&gt;
&lt;p&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P11608471-300x225.jpg" /&gt;&lt;br /&gt;
Lying in Wait&lt;/p&gt;&lt;p&gt;&lt;img src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P11608431-300x225.jpg" /&gt;&lt;br /&gt;
Good Morning, North East Thailand&lt;/p&gt;&lt;/center&gt;&lt;br /&gt;
&lt;p&gt;Hi and sawadee,&lt;/p&gt;&lt;p&gt;I&amp;#39;m in Chaiyaphum province in rural North East Thailand arriving this morning after about a 7 hour bus ride.  &lt;/p&gt;&lt;p&gt;I&amp;#39;ve got questions all prepared (translated into Thai) to go and ask villages for the video I&amp;#39;m making for my exhibition.  The problem with being in a small place where I don&amp;#39;t speak the same language, is that there isn&amp;#39;t the facility to transfer my previous video from the tape to a DVD.  I&amp;#39;m using a friend&amp;#39;s video camera so it&amp;#39;s all new for me.  There is an internet cafe here which is where I&amp;#39;m writing this from.   So, as yet I have no video made today to show you.  I&amp;#39;ll probably end up making the video on my camera which as a limited video facility (without zoom etc).  &lt;/p&gt;&lt;p&gt;In the meantime, I get to enjoy rural life for a few days.  I&amp;#39;m happy to see everyone again as it&amp;#39;s been 10 months since I was here as artist in residence at Banpao Rural Art Centre.&lt;/p&gt;&lt;p&gt;It is extemely hot and dry here.  I notice the difference in temperature from Malaysia and it&amp;#39;s hotter than Bangkok.&lt;/p&gt;&lt;p&gt;Thanks for following my posts,  I you&amp;#39;re finding my posts entertaining.&lt;/p&gt;&lt;p&gt;Cheers - Largon,&lt;/p&gt;&lt;p&gt;Wendy&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7181815534218520806?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7181815534218520806/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7181815534218520806&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7181815534218520806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7181815534218520806'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-11-thai-village-life.html' title='Day 11 - Thai Village Life'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3673983337580022702</id><published>2009-11-11T01:29:00.001+13:00</published><updated>2009-11-11T01:29:21.807+13:00</updated><title type='text'>Day 10 - Bronze</title><content type='html'>
&lt;div&gt;Hi there,&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;This is the first of my bronze sculptures that I picked up today.  It will be exhibited in my solo show next February at Jamjuree Gallery, Chulalongkorn University, in Bangkok.  I&amp;#39;m about to take a 5 hour bus journey to Chaiyaphum province where I will make a video for the exhibition.  The show is based on my experience as artist in residence at Banpao Rural Art Center earlier this year.&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;Hope you like my work,&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;Wendy&lt;/div&gt; &lt;p&gt;&lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/NOWpWGhYNcMBwGvYHflfrcdhKUXXmPrzRCmuPjYOHkafRD0hlddkhAjfMuRN/P1160801.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/viCkeUHLPUVR0eds67DqBcsvYgpvBegfhb96roT20FPJKG7JYU0hxU8envQy/P1160801.jpg.scaled.500.jpg" width="500" height="375"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/zSOesH55pignS4nuEVPFE9Psz90wnzjyLLcM5hZCgMNbIdp9a8Fwg4X1CvH8/P1160802.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/UjmvJ01SmJRRn4UNWIQHfyHJCzlidOLeP2BiqaKrrvUeHf68VaiMZfPnViSA/P1160802.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;div&gt;&lt;a href='http://wendygraceallen.posterous.com/day-10-bronze'&gt;See and download the full gallery on posterous&lt;/a&gt;&lt;/div&gt;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-10-bronze"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3673983337580022702?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3673983337580022702/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3673983337580022702&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3673983337580022702'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3673983337580022702'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-10-bronze.html' title='Day 10 - Bronze'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-8890381647922735433</id><published>2009-11-10T01:28:00.001+13:00</published><updated>2009-11-10T01:28:21.519+13:00</updated><title type='text'>Days 8 &amp; 9 Bangkok Sculpture Center</title><content type='html'>
&lt;div&gt;Sawadee Ka,&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;Yesterday, I went to the Bangkok Sculpture Centre a private non profit organisation set up to promote Thai sculpture.   I&amp;#39;ve seen work by a few of the individual artists before, but the 210 sculptures are the largest collection in Thailand and it was a nice opportunity to get a more comprehensive understanding of Thai sculpture.  Many of the artworks are in bronze but there is also wood caved pieces, a stainless steel sculpture and a few mixed media sculptures. I&amp;#39;ve never seen anything like the carved elephant door pictured with gallery guide.&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;Bangkok probably has everything you could want to buy and many things you don&amp;#39;t!  Finding something specific you need is a different matter.  Food is easy.  7/11 easy.  Taxi easy.  Art materials, well you have to find the place, get there, and know how to ask for what you want.  I kept a sticker with the Thai writing for the silicon I purchased last time because quoting a number (type of silicon) isn&amp;#39;t useful.  For example, I&amp;#39;ve tried many times but am still unable to locate someone who custom makes neon; with all the neon in the city one would think that would be easy.  Finding the right words to describe things helps (even my limited Thai language helps - &lt;em&gt;Mai ow ka &lt;/em&gt;- &amp;quot;I don&amp;#39;t want&amp;quot; is very useful for tuk tuk drivers and pesky touts).  Getting access to the internet isn&amp;#39;t always straight forward, which is why I didn&amp;#39;t post yesterday - besides Sunday is a day of rest.&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;Largorn,&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;Wendy&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;p&gt;&lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/wNepsIJPmbwcoK755ui2roXGxeACYhxVFFr43CAajHV7YfbJ27YT98plmime/P1160784.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/n9m7sHHu4bVlXRrZ0EEbmBjmRfKbTAIZD1L0PtvkfNlAC8MALrn1D13Fn3aP/P1160784.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/fJET7TVQF2aCv9rOxW1he8mjEXnnSAaWSJiiNY49F6wNxgxwWUPDikg45DlS/P1160786.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/aAvQoMfXCo7NlVzQFGCWrKsG7rWDjZVAikd7xqRg0hCfNOxROTmCwRYsYYWl/P1160786.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/218afkAoYs2GTj7twzBX5CjFocBN33vpu75vcMoS1jBm8x7bmGc3yuzTSxzY/P1160790.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/Ddqk8UbWIWO8ngIA1DSf7lcjA3bZzREO5rKz1gOsc6U4L7j344u54bzApoNJ/P1160790.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/CQi1cdnFZSjliKRIw6OrXli5QmqKkBtnSaLsGvq6r0X7sNrFAGq0El8DFD1u/P1160791.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/TNElMlsbkCskHNQ9mEfG67WAPeA8vYc5yM375r0ml7JVhOIkeF0yaakT2eOi/P1160791.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;div&gt;&lt;a href='http://wendygraceallen.posterous.com/days-8-and-9-bangkok-sculpture-center'&gt;See and download the full gallery on posterous&lt;/a&gt;&lt;/div&gt;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/days-8-and-9-bangkok-sculpture-center"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-8890381647922735433?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/8890381647922735433/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=8890381647922735433&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8890381647922735433'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8890381647922735433'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/days-8-9-bangkok-sculpture-center.html' title='Days 8 &amp;amp; 9 Bangkok Sculpture Center'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-2352462208353591608</id><published>2009-11-08T02:31:00.001+13:00</published><updated>2009-11-08T02:31:15.914+13:00</updated><title type='text'>Day 7- Mail Art</title><content type='html'>
&lt;div class="mceTemp mceIEcenter"&gt;  &lt;dt class="wp-caption-dt"&gt;&lt;img title="Mail Art" class="size-medium wp-image-3278" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P11607921-300x225.jpg" height="225" alt="Mail Art" width="300" /&gt;&lt;/dt&gt; &lt;dd class="wp-caption-dd"&gt;Mail Art&lt;/dd&gt;&lt;/div&gt; &lt;p&gt;Hello from Bangkok (Krung Thep).  Today I made this to post to Singapore for a Mail Art exhibition on the theme &lt;em&gt;Time.  &lt;/em&gt;&lt;/p&gt; &lt;p&gt;Cheers, Wendy&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-7-mail-art"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-2352462208353591608?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/2352462208353591608/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=2352462208353591608&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2352462208353591608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2352462208353591608'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-7-mail-art.html' title='Day 7- Mail Art'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7720221648101956089</id><published>2009-11-06T16:06:00.001+13:00</published><updated>2009-11-06T16:06:49.359+13:00</updated><title type='text'>Day 6 - City of Angels (Krung Thep)</title><content type='html'>
&lt;div style="background-color: rgb(255, 255, 255); font-family: Times New Roman; font-size: medium;"&gt;&lt;div style=""&gt; &lt;div class="mceTemp mceIEcenter" style="text-align: center;"&gt; &lt;dt class="wp-caption-dt"&gt;&lt;img class="size-medium wp-image-3271" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160779-225x300.jpg" height="300" alt="Emerald Gong Khao (Rice Box)" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-color: initial;" width="225" /&gt;&lt;/dt&gt; &lt;dd class="wp-caption-dd" style="font-size: 11px; line-height: 17px; padding-top: 0px; padding-right: 4px; padding-bottom: 5px; padding-left: 4px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"&gt; Emerald Gong Khao (Rice Box)&lt;/dd&gt;&lt;/div&gt;&lt;div class="mceTemp mceIEcenter" style="text-align: center;"&gt; &lt;dt class="wp-caption-dt"&gt;&lt;img class="size-medium wp-image-3272" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160781-225x300.jpg" height="300" alt="Emerald Gong Khao (Rice Box) from above" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-color: initial;" width="225" /&gt;&lt;/dt&gt; &lt;dd class="wp-caption-dd" style="font-size: 11px; line-height: 17px; padding-top: 0px; padding-right: 4px; padding-bottom: 5px; padding-left: 4px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"&gt; Emerald Gong Khao (Rice Box) from above&lt;/dd&gt;&lt;/div&gt;&lt;p&gt;Early this evening I&amp;#39;m flying from Penang Island to Bangkok or in Thai it&lt;span style="font-style: italic;"&gt;&lt;span style="font-style: normal;"&gt;&amp;#39;s pronounced:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="line-height: 1.45em; font-size: 13px; font-family: Arial, Helvetica, sans-serif; color: rgb(51, 51, 51);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;Krung Thep Mahanakhon Amon Rattanakosin Mahinthara Ayuthaya Mahadilok Phop Noppharat Ratchathani Burirom Udomratchaniwet Mahasathan Amon Piman Awatan Sathit Sakkathattiya Witsanukam Prasit&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="line-height: 1.45em; font-size: 13px; font-family: Arial, Helvetica, sans-serif; color: rgb(51, 51, 51);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;In the official English romanisation, this is certified as the longest place name in the world in the Guinness book of records.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;So, Thai&amp;#39;s understandably call their capital city &lt;span style="font-style: italic;"&gt;Krung Thep&lt;/span&gt; (for short) meaning &lt;span style="font-style: italic;"&gt;City of Angels. &lt;/span&gt;I haven&amp;#39;t discovered any angels there yet but who knows, maybe I was looking in the wrong places?&lt;/p&gt; &lt;p&gt;The purpose of my trip is to go to the bronze foundry about and hour and a half outside of Bangkok.  &lt;span style="font-style: italic;"&gt; &lt;/span&gt;I left my sculpture there for the foundry to pour the bronze as I don&amp;#39;t have access to the extensive facilities necessary for a foundry here.  If I&amp;#39;m happy with the result, and the foreigner (&lt;span style="font-style: italic;"&gt;farang&lt;/span&gt;) price, I will leave them other sculptures.&lt;/p&gt; &lt;p&gt;In the meantime, I&amp;#39;ve been making a silicon mould of my sculpture to cast.  It isn&amp;#39;t finished so there&amp;#39;s no photo yet.&lt;/p&gt;&lt;p&gt;So, pictured above is the last cast glass sculpture I&amp;#39;ve just finished.   I&amp;#39;ll be taking my glass to Bangkok in preparation for my exhibition next year.   It&amp;#39;s cheaper for me to carry them rather then use a courier and as I have many pieces to transport it makes sense to take them early.&lt;/p&gt; &lt;p&gt;Oh, and my painting is still in progress ...&lt;/p&gt;&lt;p&gt;Next post from &lt;span style="font-style: italic;"&gt;The City of Angels&lt;/span&gt;...&lt;/p&gt;&lt;p&gt;Wendy&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-6-city-of-angels-krung-thep"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7720221648101956089?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7720221648101956089/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7720221648101956089&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7720221648101956089'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7720221648101956089'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-6-city-of-angels-krung-thep.html' title='Day 6 - City of Angels (Krung Thep)'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-3349267947361562962</id><published>2009-11-05T15:07:00.001+13:00</published><updated>2009-11-05T15:07:35.896+13:00</updated><title type='text'>Day 5 - Music</title><content type='html'>
&lt;div style="background-color: rgb(255, 255, 255); font-family: Times New Roman; font-size: medium;"&gt;&lt;div style=""&gt; &lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=9XVVZPefbR4"&gt;Mark Knopfler - Brothers in Arms - Live in concert&lt;/a&gt;&lt;/p&gt;&lt;p /&gt;&lt;div style="background-color: rgb(255, 255, 255);"&gt;&lt;a href="http://www.youtube.com/watch?v=EQ-JyAGUsys&amp;amp;feature=related"&gt;Mark Knopfler &amp;amp; Eric Clapton - Sultan of Swing&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=kInoeTycY60&amp;amp;feature=related"&gt;Eric Clapton and Mark Knopfler - Cocaine &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=l6F2qExLsic"&gt;Eric Clapton &amp;amp; Sheryl Crow - Little Wing&lt;/a&gt;&lt;/p&gt; &lt;p&gt;I like listening to music while making my art.  Here&amp;#39;s what I&amp;#39;ve been listening to.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Enjoy,&lt;/p&gt;&lt;p&gt;Wendy&lt;/p&gt;&lt;/div&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-5-music"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-3349267947361562962?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/3349267947361562962/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=3349267947361562962&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3349267947361562962'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/3349267947361562962'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-5-music.html' title='Day 5 - Music'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-8450328323751418404</id><published>2009-11-05T01:48:00.002+13:00</published><updated>2009-11-05T02:01:13.693+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><title type='text'>Day 4 - Poppy &amp; Borrowed Nostalgia</title><content type='html'>&lt;div style="background-color: rgb(255, 255, 255); font-family: Times New Roman; font-size: medium;"&gt;&lt;div style=""&gt;&lt;div class="mceTemp mceIEcenter" style="text-align: center;"&gt;&lt;br /&gt;
&lt;dt class="wp-caption-dt"&gt;&lt;img class="size-medium wp-image-3258" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160778-225x300.jpg" height="300" alt="Poppy (unfinished detail of painting in progress)" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-color: initial;" width="225" /&gt;&lt;/dt&gt;&lt;br /&gt;
&lt;dd class="wp-caption-dd" style="font-size: 11px; line-height: 17px; padding-top: 0px; padding-right: 4px; padding-bottom: 5px; padding-left: 4px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"&gt; Poppy (unfinished detail of painting in progress)&lt;/dd&gt;&lt;/div&gt;&lt;div style="background-color: rgb(255, 255, 255);"&gt;Here&amp;#39;s a unfinished detail of a painting I&amp;#39;m working on.  Aussie&amp;#39;s and Kiwi&amp;#39;s will recognise the significance of the poppy.  To see the finished artwork, check this site later.&lt;p&gt;&lt;/p&gt;&lt;div class="mceTemp mceIEcenter" style="text-align: center;"&gt;&lt;br /&gt;
&lt;dt class="wp-caption-dt"&gt;&lt;img class="size-medium wp-image-3259" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/P1160775-300x225.jpg" height="225" alt="Wendy working on Borrow Nostalgia" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-color: initial;" width="300" /&gt;&lt;/dt&gt;&lt;br /&gt;
&lt;dd class="wp-caption-dd" style="font-size: 11px; line-height: 17px; padding-top: 0px; padding-right: 4px; padding-bottom: 5px; padding-left: 4px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"&gt; Wendy working on Borrow Nostalgia&lt;/dd&gt;&lt;/div&gt;&lt;div class="mceTemp mceIEcenter" style="text-align: center;"&gt;&lt;br /&gt;
&lt;dt class="wp-caption-dt"&gt;&lt;img class="size-medium wp-image-3261" src="http://www.30dayartist.com/blog2/wp-content/uploads/2009/11/BorrowedNostalgia1-300x148.jpg" height="148" alt="BorrowedNostalgia - Apichart Pholprasert and Wendy Grace Allen" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-color: initial;" width="300" /&gt;&lt;/dt&gt;&lt;br /&gt;
&lt;dd class="wp-caption-dd" style="font-size: 11px; line-height: 17px; padding-top: 0px; padding-right: 4px; padding-bottom: 5px; padding-left: 4px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"&gt; BorrowedNostalgia - Apichart Pholprasert and Wendy Grace Allen&lt;/dd&gt;&lt;/div&gt;&lt;p&gt;I&amp;#39;ve included a couple of images of one of the collaborative artworks for this project which I finished a couple of weeks ago.   &lt;/p&gt;&lt;div style="font-style: italic;"&gt;Borrowed Nostalgia &lt;/div&gt;is my collaborative over painting of a digital print on canvas of artwork by Thai artist, Apichart Pholprasert which he titled &lt;div style="font-style: italic;"&gt;Immediate Nostalgia.&lt;/div&gt;  &lt;br /&gt;
Thanks for looking at my work, and if you missed my glass sculptures, you can see those in the previous three day posts.   &lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;See you tomorrow, Wendy&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p style="font-size: 10px;"&gt;&lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-4-poppy-and-borrowed-nostalgia"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-8450328323751418404?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/8450328323751418404/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=8450328323751418404&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8450328323751418404'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8450328323751418404'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-4-poppy-borrowed-nostalgia.html' title='Day 4 - Poppy &amp; Borrowed Nostalgia'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-1635282116995310879</id><published>2009-11-04T00:17:00.001+13:00</published><updated>2009-11-04T00:17:44.957+13:00</updated><title type='text'>Day 3 - Fusion</title><content type='html'>
&lt;div style="font-family: Georgia, Times New Roman, Bitstream Charter, Times, serif; font-size: 13px; line-height: 19px;"&gt;&lt;p&gt;Here&amp;#39;s some more glass sculptures I&amp;#39;ve finished.  One of my glass sculptures reminds me of Pounamu or New Zealand green stone.  So, I&amp;#39;ve titled it Pounamu Gong Khao (Rice box) - how&amp;#39;s that for fusing Maori with Thai?.  My other fusion creation today was when I cooked Roti Canai (type of Malaysian flat bread) with bacon! (never seen in roti in Muslim countries where most Roti Canai is eaten at Mamak (Indian Muslim) restaurants) with cheese, tomatoes, onions, garlic and olive mix.  Delicious.  (Yum - is an inappropriate word in Vietnamese I was told when we were in Vietnam).&lt;/p&gt; &lt;p&gt;Bringing the glass sculptures through customs was fun.  On the scan they look like liquid (as does wax by the way).  So, when I was asked to open my suitcase, I knew what they wanted.  Luckily, they weren&amp;#39;t wrapped in underwear and customs only wanted to see one sculpture.  I&amp;#39;ll have to remember to pack carefully next time because my suitcase was exposed to full view.  Bringing in drugs carries the death penalty so it&amp;#39;s a relief when it&amp;#39;s only glass they find and not some illicit substance someone has sneaked into my bag!&lt;/p&gt; &lt;p&gt;:) Wendy&lt;/p&gt;&lt;/div&gt; &lt;p&gt;&lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/djBn4S1vkwNKpCyGg11rPP26JmfRwJwHcCddozPhn3tqST0pqWQqSjrq4Win/P1160763.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/BiyLG37kMapHBXUBHHaLAQjenuw8Uwm8h8E2a7nZqo8vmRWBmaxc6um9ayvR/P1160763.jpg.scaled.500.jpg" width="500" height="556"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/nWvJgc2agELw0H6KfbWGAaqJbfna8uZuqSR2DM1ygNLPL3n8qgZ2FsnyoMNP/P1160762.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/sMicK6cCBFHenIJzjW0MQWmRwZ81lJC4iDHck9LWVd8StdsbFvrFrEJ7kZ1O/P1160762.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/jPXrhZ7ddVdvWM21VXH1tuHT1EKGeaV23pVWFDNNlJJiBX9fC24SqCTzxPat/P1160757.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/chlIDGF0cvjLMWYE1sy6XFATMr4HXHsgGerDwVHxj1gaQ2uxZbo041sGHnJG/P1160757.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/PPPz3aQBwK2D02dRT84oxndzXg7WVf5jNo4jq5TilYDPS04YQ2ogMa4iFbiS/P1160758.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/axklCRrPzVqlof1xwsA2eQ62JczICGJvNHEHQ1rL2SOcWxPNOfqhPxxYByT3/P1160758.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;div&gt;&lt;a href='http://wendygraceallen.posterous.com/day-3-fusion'&gt;See and download the full gallery on posterous&lt;/a&gt;&lt;/div&gt;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-3-fusion"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-1635282116995310879?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/1635282116995310879/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=1635282116995310879&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1635282116995310879'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1635282116995310879'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-3-fusion.html' title='Day 3 - Fusion'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-1789911462997561652</id><published>2009-11-03T16:15:00.001+13:00</published><updated>2009-11-03T16:15:30.889+13:00</updated><title type='text'>Day 3 - Kia Ora Koutou (Maori)</title><content type='html'>
&lt;div style="font-family: Times New Roman; font-size: medium;"&gt;&lt;div style=""&gt; &lt;p&gt;Kia ora koutou,&lt;/p&gt;&lt;p&gt;I&amp;#39;m going to take some photos of the artwork I&amp;#39;m finishing at the moment and post them soon.  NZ readers, it&amp;#39;s probably best to check this site late afternoon or evening because of the 5 hour time difference with Malaysia.  I could post at midnight I suppose and then you&amp;#39;d wake up to my new posts? I&amp;#39;m still getting the hang of a few minor technicalities, mostly to do with multiple posts from my Posterous blog, &lt;a href="http://wendygraceallen.posterous.com/"&gt;http://wendygraceallen.posterous.com/&lt;/a&gt;.  The cool thing about Posterous  (thanks Ming for the info) is that you can post from your email to the Posterous blogsite and other multiple sites in one hit.  So, I&amp;#39;m trying to get it to feed to this site,&lt;a href="http://thebordercrossingartproject.blogspot.com/"&gt;http://thebordercrossingartproject.blogspot.com&lt;/a&gt;/ site, Twitter, Facebook etc.  Am I sounding like a techy geek?  Even my Superman technical husband (who is currently writing image processing software for taking high definition pics of my art, that can be printed up large!) doesn&amp;#39;t have Twitter and I do!  So, if you check either of my blogs, this site or get links from Facebook or Twitter then you can get the same info.  Apart from the small technical hitches I&amp;#39;m trying to resolve - so please be patient with me.&lt;/p&gt; &lt;p&gt;I&amp;#39;m finishing off some more glass pieces then on to some painting today...&lt;/p&gt;&lt;p&gt;Hei konā mai, Wendy&lt;/p&gt;&lt;/div&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/day-3-kia-ora-koutou-maori"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-1789911462997561652?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/1789911462997561652/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=1789911462997561652&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1789911462997561652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/1789911462997561652'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-3-kia-ora-koutou-maori.html' title='Day 3 - Kia Ora Koutou (Maori)'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6379707823026276876</id><published>2009-11-02T15:31:00.019+13:00</published><updated>2009-11-03T16:13:49.709+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cast glass'/><category scheme='http://www.blogger.com/atom/ns#' term='30 Day Artist'/><category scheme='http://www.blogger.com/atom/ns#' term='Sculpture'/><title type='text'>Day 2 - 30 Day Artist</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/Su5W8S0PvMI/AAAAAAAABs8/U24ZIlLYvWQ/s400/moulds%20in%20kiln.jpg" /&gt;&lt;br /&gt;
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&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/Su5XGGwbVkI/AAAAAAAABtU/SOZgOKKeZ94/s400/P1160485.JPG" /&gt;&lt;br /&gt;
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&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/Su5W9lr0TOI/AAAAAAAABtA/5_9DHlwBMHs/s400/P1160744.JPG" /&gt;&lt;br /&gt;
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&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/Su5W_iKglaI/AAAAAAAABtE/4al7vSQnSkM/s400/P1160750.JPG" /&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;p&gt;Good morning - Selamat Pagi (Malay) - Sawadee Ka (Thai),&lt;/p&gt;&lt;p&gt;I thought I&amp;#39;d post some pics of the glass casting process so you can get an idea of what&amp;#39;s involved in creating cast glass art.  I finished off these pieces today but it took me over a week to create them.  Basically the process involves:&lt;/p&gt;&lt;ol&gt;&lt;li&gt;Making a mould in a special plaster mix of the artwork to be cast.&lt;/li&gt;
&lt;li&gt;Removing the artwork (made of modelling clay, wax or whatever)&lt;/li&gt;
&lt;li&gt;Cleaning and cutting glass to fit in the mould to fill it.  (More difficult than it looks to get enough glass in the mould)&lt;/li&gt;
&lt;li&gt;Firing the glass in a kiln.  This may have to be done twice if there&amp;#39;s not enough glass and can take several days.&lt;/li&gt;
&lt;li&gt;Annealing the glass - cooling it down very slowly to stop it breaking (This takes a long time too)&lt;/li&gt;
&lt;li&gt;Removing the plaster mould.  This includes labour intensive picking out plaster with dental tools.&lt;/li&gt;
&lt;li&gt;Grinding and cutting off excess glass.&lt;/li&gt;
&lt;li&gt;Engraving artists signature into the glass&lt;/li&gt;
&lt;li&gt;Polishing the glass&lt;/li&gt;
&lt;/ol&gt;&lt;p&gt;The images here are of Gong Khao (Thai Rice Boxes)  these are used to serve Khao Niao (sticky rice - &amp;quot;Pulut rice&amp;quot; in Malay).  I&amp;#39;ve cast real sticky rice too.  In Laos and Isaan (Esarn) North East Thailand, they eat this type of rice every day with Som dum (Green Papaya Salad) and Laab (Minced Meat Salad).  These sculptures will be included in my exhibition &amp;quot;Rural Go Go&amp;quot; in February 2010 in Bangkok as my response to the three and a half months I spent in Isaan at Banpao Rural Art Centre (BRAC) as artist in residence late 2008 - early 2009.&lt;/p&gt;&lt;p&gt;To my Singapore friends,  I would have loved to have met up with you but I was too busy creating these artworks.  Hope to see you next time I&amp;#39;m in Singapore.&lt;/p&gt;&lt;p&gt;Time to get back to work.&lt;/p&gt;&lt;p&gt;Have a great day.&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6379707823026276876?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6379707823026276876/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6379707823026276876&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6379707823026276876'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6379707823026276876'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/day-2-30-day-artist_02.html' title='Day 2 - 30 Day Artist'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh3.ggpht.com/_t-n_SUc-t98/Su5W8S0PvMI/AAAAAAAABs8/U24ZIlLYvWQ/s72-c/moulds%20in%20kiln.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6259935959223404480</id><published>2009-11-02T00:28:00.001+13:00</published><updated>2009-11-02T00:28:58.114+13:00</updated><title type='text'>Introducing The 30 Day Artist for November</title><content type='html'>
I was chosen to be the 30 day artist for November.  The aim is to make 40 artworks in 30 days and post my progress on the &lt;a href="http://www.30dayartist.com"&gt;www.30dayartist.com&lt;/a&gt; blog.  I&amp;#39;m creating a variety of works in the next month including sculpture, paintings and drawings.  &lt;p /&gt;&lt;div&gt;Today I&amp;#39;ve finished two sculptures of Thai houses crafted in modelling clay.  I&amp;#39;m going to make these into glass, but this will take a lot longer than a day to finish!  These glass artworks will be included in my solo exhibition &amp;quot;Rural Go Go&amp;quot; opening on the 27th February 2010 at Jamjuree Gallery, Chulalongkorn University, Bangkok, Thailand.  I&amp;#39;ve just flown from Singapore where I was working to Penang, Malaysia today and am ready for a rest. &lt;/div&gt; &lt;p /&gt;&lt;div&gt;I look forward to showing more of my work tomorrow.&lt;/div&gt;&lt;p /&gt;&lt;div&gt;Cheers, Wendy Grace Allen &lt;/div&gt; &lt;p&gt;&lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/GqUDw34mo7CfceEgEuFMYiHKVMUsT4ix9F8i19xLHI43nqFxk3ccvQZaLxHr/P1160510.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/FdMnloeLX0MRfmBHIfrHZ2GrZGYzylRPRrHSIFvRdIhW8NPWjGKxP3VzEIAF/P1160510.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/2THOJPAz4mpD4y663Ptfmbg15O3Hv8uERVdUlBPtkEPE0wKL0EMVUsuQfH7G/P1160511.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/NX60Gs6sOziJu03XJJCK8MSKPcPL11O5cN4WK0DFbwEcqYOumXSl6D01jRHJ/P1160511.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;a href='http://posterous.com/getfile/files.posterous.com/wendygraceallen/4PEpb0NXZRhh83I7yEGue5UJT81AMrGb9Y6CthpS844FdhBCVMXCYRL0h6cz/P1160512.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendygraceallen/Kpa4Taa865D4aOs2uK3eZz5FGEP6VxgblURq1tJTQPeK12LEumvTaJ5Q6xBh/P1160512.jpg.scaled.500.jpg" width="500" height="667"/&gt;&lt;/a&gt; &lt;div&gt;&lt;a href='http://wendygraceallen.posterous.com/introducing-the-30-day-artist-for-november'&gt;See and download the full gallery on posterous&lt;/a&gt;&lt;/div&gt;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/introducing-the-30-day-artist-for-november"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6259935959223404480?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6259935959223404480/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6259935959223404480&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6259935959223404480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6259935959223404480'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/11/introducing-30-day-artist-for-november.html' title='Introducing The 30 Day Artist for November'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-2640936215002559344</id><published>2009-10-13T23:50:00.001+13:00</published><updated>2009-10-13T23:50:01.230+13:00</updated><title type='text'>Bangkok Here we Come</title><content type='html'>
&lt;p&gt;&lt;a href='http://posterous.com/getfile/files.posterous.com/wendy-8pqty/0HzKEb1aAUYMGw5kxRTAyDrrYa5Pqnsn5XZ1R4AVANVFBpMqtYs8dlh4YuOu/02_Helen_Stacey_-_At_work_-_n4.jpg.scaled.1000.jpg'&gt;&lt;img src="http://posterous.com/getfile/files.posterous.com/wendy-8pqty/ceXH7QhMa9X1vnBh2Ik3M16AimwqJNp2hfGyL7bj1Ze0xmKayXxrliF5oFN1/02_Helen_Stacey_-_At_work_-_n4.jpg.scaled.500.jpg" width="500" height="333"/&gt;&lt;/a&gt; Helen Stacey working on a collaborative art work by Wendy Grace Allen&lt;/p&gt;  &lt;p&gt;I'm delighted to announce that The Border Crossing Art Project has been accepted to exhibit at the prestigious Art Centre, Chulalongkorn University in Bangkok, Thailand opening late Jan. &amp;nbsp;(date to be confirmed). &amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://wendygraceallen.posterous.com/bangkok-here-we-come"&gt;Wendy's posterous&lt;/a&gt; &lt;/p&gt;   &lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-2640936215002559344?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/2640936215002559344/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=2640936215002559344&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2640936215002559344'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2640936215002559344'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/10/bangkok-here-we-come.html' title='Bangkok Here we Come'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4728003825826941540</id><published>2009-09-30T16:45:00.000+13:00</published><updated>2009-09-30T16:45:15.058+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Process'/><title type='text'>Border Crossing Artwork in Progress - Stage Two</title><content type='html'>&lt;div class="postbody"&gt;&lt;center&gt;&lt;br /&gt;
&lt;img alt="Wendy Grace Allen overworking Helen Stacey's painting." src="http://lh5.ggpht.com/_t-n_SUc-t98/SsHnpBOfUnI/AAAAAAAABQk/7TO4OpcsFt0/s400/Wendy%20Painting%20on%20Helen%27s%20painting.JPG" /&gt;&lt;br /&gt;
&lt;p style="font-weight:bold"&gt;Wendy Grace Allen overworking Helen Stacey's painting.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;img alt="Helen Stacey overworking Wendy Grace Allen's painting." src="http://lh5.ggpht.com/_t-n_SUc-t98/SsLOo_WH8XI/AAAAAAAABRg/Vx3FgnHSFVY/s400/HelenStacey4354.jpg" /&gt;&lt;br /&gt;
&lt;p style="font-weight:bold"&gt;Helen Stacey overworking Wendy Grace Allen's painting.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;img alt="Apichart Pholprasert overworking Wendy Grace Allen's painting." src="http://lh4.ggpht.com/_t-n_SUc-t98/SsHnrTHlhlI/AAAAAAAABQs/EV7N77i73PQ/s400/Apichart%20working%20on%20Wendy%27s%20painting.JPG" /&gt;&lt;br /&gt;
&lt;p style="font-weight:bold"&gt;Apichart Pholprasert overworking Wendy Grace Allen's painting.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;/center&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4728003825826941540?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4728003825826941540/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4728003825826941540&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4728003825826941540'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4728003825826941540'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/09/border-crossing-artwork-in-progress.html' title='Border Crossing Artwork in Progress - Stage Two'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/_t-n_SUc-t98/SsHnpBOfUnI/AAAAAAAABQk/7TO4OpcsFt0/s72-c/Wendy%20Painting%20on%20Helen%27s%20painting.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-2890579143652583683</id><published>2009-09-18T18:36:00.009+12:00</published><updated>2009-09-19T15:22:22.538+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>Quotes about Art etc</title><content type='html'>&lt;div style='text-align:center;margin:0px auto 10px;'&gt;&lt;a href='http://3.bp.blogspot.com/_t-n_SUc-t98/SrMopMkxGII/AAAAAAAABLo/ZK_gOJNJ0YY/s1600-h/DSC_0060.JPG'&gt;&lt;img src='http://3.bp.blogspot.com/_t-n_SUc-t98/SrMopMkxGII/AAAAAAAABLo/ZK_gOJNJ0YY/s320/DSC_0060.JPG' border='0' alt='' /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;center&gt;&lt;b&gt;&lt;i&gt;Strange Abstract &lt;/i&gt;by Wendy Grace Allen&lt;/b&gt;&lt;/center&gt;&lt;br /&gt;
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I'm going to keep adding to this post with quotes I want to share with you.  Which ones do you like?  I have a whole book of quotes I've collected but they're packed up in NZ somewhere...  &lt;br /&gt;
&lt;ul&gt;&lt;li style="margin-bottom:5px"&gt;Art washes away from the soul the dust of everyday life.&lt;i&gt; Pablo Picasso&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art is the desire of a man to express himself, to record the reactions of his personality to the world he lives in.&lt;i&gt; Amy Lowell&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art is the most intense mode of individualism that the world has known.&lt;i&gt; Oscar Wilde&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art is the only way to run away without leaving home.&lt;i&gt; Twyla Tharp&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art is the proper task of life.&lt;i&gt; Friedrich Nietzsche&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art is the right hand of Nature. The latter has only given us being, the former has made us men.&lt;i&gt; Friedrich Schiller&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art is the stored honey of the human soul, gathered on wings of misery and travail.&lt;i&gt; Theodore Dreiser&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art produces ugly things which frequently become more beautiful with time. Fashion, on the other hand, produces beautiful things which always become ugly with time.&lt;i&gt; Jean Cocteau&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art, in itself, is an attempt to bring order out of chaos.&lt;i&gt; Stephen Sondheim&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Art, like morality, consists in drawing the line somewhere. Gilbert K.&lt;i&gt; Chesterton&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Artists don't make objects. Artists make mythologies.&lt;i&gt; Anish Kapoor&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Artists who seek perfection in everything are those who cannot attain it in anything.&lt;i&gt; Gustave Flaubert&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Beauty in art is often nothing but ugliness subdued. Jean Rostand  By the work one knows the workman.&lt;i&gt; Jean de La Fontaine&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.&lt;i&gt; Scott Adams&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Culture is the arts elevated to a set of beliefs.&lt;i&gt; Tom Wolfe&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Drawing is like making an expressive gesture with the advantage of permanence.&lt;i&gt; Henri Matisse  &lt;br /&gt;
&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad.&lt;i&gt; Salvador Dali&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Even a true artist does not always produce art.&lt;i&gt; Carroll O'Connor&lt;/i&gt;&lt;/li&gt;
&lt;li style="margin-bottom:5px"&gt;Every artist dips his brush in his own soul, and paints his own nature into his pictures.&lt;i&gt; Henry Ward Beecher&lt;/i&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="postbody"&gt;&lt;br /&gt;
The above quotes are courtesy of &lt;a href="http://www.aakrititalkart.com/"&gt;http://www.aakrititalkart.com/&lt;/a&gt;.&lt;br /&gt;
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&lt;!-- INSERT POST HERE --&gt; &lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div style='clear:both; text-align:CENTER'&gt;&lt;a href='http://picasa.google.com/blogger/' target='ext'&gt;&lt;img src='http://photos1.blogger.com/pbp.gif' alt='Posted by Picasa' style='border: 0px none ; padding: 0px; background: transparent none repeat scroll 0% 50%; -moz-background-clip: initial; -moz-background-origin: initial; -moz-background-inline-policy: initial;' align='middle' border='0' /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-2890579143652583683?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.aakrititalkart.com/' title='Quotes about Art etc'/><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/2890579143652583683/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=2890579143652583683&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2890579143652583683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2890579143652583683'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/09/quotes.html' title='Quotes about Art etc'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_t-n_SUc-t98/SrMopMkxGII/AAAAAAAABLo/ZK_gOJNJ0YY/s72-c/DSC_0060.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4164726568438336154</id><published>2009-09-16T23:51:00.011+12:00</published><updated>2009-09-19T16:26:38.019+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Myanmar'/><category scheme='http://www.blogger.com/atom/ns#' term='Burmese'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Burma'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Contemporary Art from Myanmar</title><content type='html'>&lt;div style='text-align:center;margin:0px auto 10px;'&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/-LjQANSR0vU&amp;hl=en&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/-LjQANSR0vU&amp;hl=en&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="postbody"&gt;&lt;br /&gt;
I went to this exhibition opening in Bangkok the night before we moved from Thailand to Penang, Malaysia.  Not all the slides are wonderfully clear because of reflections on the glass and the angle of the photos, but the slideshow will give you an idea about the art work and the performances.  The accompanying soundtrack is by William Orbit entitled &lt;i&gt;Dark Eyed Kid.&lt;/i&gt;  There is also a link to a new art space in Myanmar called &lt;i&gt;New Zero Art Space&lt;/i&gt; and &lt;i&gt;&lt;i&gt;Thavibu &lt;/i&gt;Gallery&lt;/i&gt;.  Enjoy!&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div style='clear:both; text-align:CENTER'&gt;&lt;a href='http://picasa.google.com/blogger/' target='ext'&gt;&lt;img src='http://photos1.blogger.com/pbp.gif' alt='Posted by Picasa' style='border: 0px none ; padding: 0px; background: transparent none repeat scroll 0% 50%; -moz-background-clip: initial; -moz-background-origin: initial; -moz-background-inline-policy: initial;' align='middle' border='0' /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4164726568438336154?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.thavibu.com/http://www.newzeroartspace.com/' title='Contemporary Art from Myanmar'/><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4164726568438336154/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4164726568438336154&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4164726568438336154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4164726568438336154'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/09/contemporary-art-from-myanmar.html' title='Contemporary Art from Myanmar'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6800761091401011015</id><published>2009-09-13T18:43:00.002+12:00</published><updated>2009-09-19T14:26:37.513+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bronze casting'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Sculpture'/><category scheme='http://www.blogger.com/atom/ns#' term='Mould making'/><title type='text'>Mould Making for Lost Wax Bronze Casting in Bangkok, Thailand</title><content type='html'>&lt;div style='text-align:center;margin:0px auto 10px;'&gt;&lt;a href='http://2.bp.blogspot.com/_t-n_SUc-t98/SqyKsyEAE2I/AAAAAAAABLA/qHUjIp3uC2k/s1600-h/DSC05526.JPG'&gt;&lt;img src='http://2.bp.blogspot.com/_t-n_SUc-t98/SqyKsyEAE2I/AAAAAAAABLA/qHUjIp3uC2k/s320/DSC05526.JPG' border='0' alt='' /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="postbody"&gt;&lt;!-- INSERT POST HERE --&gt; &lt;/div&gt;&lt;div class="postquote"&gt;I've just returned from Bangkok, Thailand where I was making a video documenting the process of mould making for lost wax bronze casting. &lt;br /&gt;
&lt;br /&gt;
Frenchman Pierre Cerviotti, mould maker demonstrated the process by making a mould of Blake's latest sculpture.  Pierre, has 19 years experience as a mould maker and continues to use moulding techniques that date back to ancient Greece.  Basic mould making is taught at art schools around the world but not as comprehensively, or with the precision that Pierre employs.  Canadian born Blake, has been working with Pierre for many years and his sculptures are found in galleries in Europe and the Americas.  Of particular interest, is Blake's devotion to raising money to clear land mines.  To date he has raised $200,000 USD from the sale of his Fragments sculpture series. It was in a chance meeting at Thavibu Gallery in Bangkok, that I first met Blake in February 2009.&lt;br /&gt;
&lt;br /&gt;
A few days ago we met with bronze foundry manager Thai Parinya Senadisai, whom we were introduced to by Ajarn Sanya Wong-Aram from Chulalongkorn University in Bangkok. In the photo (from left to right) is Pierre Cerviotti, Blake Ward, Parinya Senadisai and Wendy Grace Allen &lt;br /&gt;
&lt;br /&gt;
Below are some links about lost wax casting, and Blake's sculpture:    &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://en.wikipedia.org/wiki/Lost-wax_casting"&gt;http://en.wikipedia.org/wiki/Lost-wax_casting&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://en.wikipedia.org/wiki/Blake_(sculptor)"&gt;http://en.wikipedia.org/wiki/Blake_(sculptor)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.blakefragments.com/"&gt;http://www.blakefragments.com/&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.blakesculpture.com/flash_site/index-flash.html"&gt;http://www.blakesculpture.com/flash_site/index-flash.html&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div style='clear:both; text-align:CENTER'&gt;&lt;a href='http://picasa.google.com/blogger/' target='ext'&gt;&lt;img src='http://photos1.blogger.com/pbp.gif' alt='Posted by Picasa' style='border: 0px none ; padding: 0px; background: transparent none repeat scroll 0% 50%; -moz-background-clip: initial; -moz-background-origin: initial; -moz-background-inline-policy: initial;' align='middle' border='0' /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6800761091401011015?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6800761091401011015/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6800761091401011015&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6800761091401011015'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6800761091401011015'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/09/mould-making-for-lost-wax-bronze.html' title='Mould Making for Lost Wax Bronze Casting in Bangkok, Thailand'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_t-n_SUc-t98/SqyKsyEAE2I/AAAAAAAABLA/qHUjIp3uC2k/s72-c/DSC05526.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7972539616589064987</id><published>2009-08-20T21:37:00.010+12:00</published><updated>2009-08-21T00:59:08.852+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bronze casting'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>Bronze Casting Foundry - Thailand</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_t-n_SUc-t98/So0fWNwyTOI/AAAAAAAABK4/qdPDFmGAjBg/s1600-h/F1030087.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="http://2.bp.blogspot.com/_t-n_SUc-t98/So0fWNwyTOI/AAAAAAAABK4/qdPDFmGAjBg/s320/F1030087.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5371984397034736866" /&gt;&lt;/a&gt;
&lt;div class="postbody"&gt;
&lt;p&gt;
In June, I visited Asia Fine Art bronze foundry in Ayutthaya, Thailand to consider working with them on future bronze artworks.  I've made a short video of bronze sculptures and the foundry.  You can get an idea of the bronze casting process which requires many stages and a high skill level to complete the technical process.  Bronze casting also requires a lot of equipment and workshop space.  I have made bronze artworks previously, completing each stage of the process in workshops where I was privileged to be taught by New Zealand artist Paul Dibble.  
&lt;/p&gt;&lt;p&gt;
By the way, I have no idea who the Thai artist is (I can't read his name in Thai) whose playing the soundtrack that's accompanying the video, or what he's saying!  We were in a cafe in Phuket town, heard his music playing and were reminded of Bob Dylan, so we bought the CD to remember the relaxing experience. Hope you enjoy it even if you don't understand the lyrics.
&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
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&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;/div&gt;&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7972539616589064987?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://asiafineart.net/' title='Bronze Casting Foundry - Thailand'/><link rel='enclosure' type='video/mp4' href='http://www.blogger.com/video-play.mp4?contentId=92f33a5ce3ac4fc5&amp;type=video%2Fmp4' length='0'/><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7972539616589064987/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7972539616589064987&amp;isPopup=true' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7972539616589064987'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7972539616589064987'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/08/bronze-casting-foundry-thailand.html' title='Bronze Casting Foundry - Thailand'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_t-n_SUc-t98/So0fWNwyTOI/AAAAAAAABK4/qdPDFmGAjBg/s72-c/F1030087.JPG' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-2737465500676505812</id><published>2009-08-12T15:19:00.048+12:00</published><updated>2009-08-13T20:21:22.121+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='New Zealand Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Poem'/><category scheme='http://www.blogger.com/atom/ns#' term='Artist'/><title type='text'>Poem by Wendy Grace Dawson (now Allen) in response to "Toss in Greymouth" by  New Zealand Artist Colin McCahon</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_t-n_SUc-t98/SoJpZNeu3yI/AAAAAAAABKw/cgxN8x_EXrw/s1600-h/TossinGreymouth.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 119px;" src="http://3.bp.blogspot.com/_t-n_SUc-t98/SoJpZNeu3yI/AAAAAAAABKw/cgxN8x_EXrw/s320/TossinGreymouth.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5368969587615260450" /&gt;&lt;/a&gt;


&lt;!-- INSERT POST HERE --&gt;
&lt;h2&gt;
Dialogue with Toss Woollaston and Colin McCahon,
written by Wendy Grace Dawson (now Allen)
&lt;/h2&gt;
&lt;p style="font-weight:bold"&gt;
Performed at The Suter Gallery, Nelson, New Zealand, June 14th and 15th 2002
&lt;/p&gt;
&lt;p&gt;
A collaborative performance with composer Ian MacDonald, cellist Kate Sherwood, &lt;span style="font-style:italic;"&gt;Dialogue with Toss Woollaston and Colin McCahon&lt;/span&gt; written and performed by Wendy Grace Dawson (now Allen).
&lt;/p&gt;
&lt;p&gt;
This poem and performance is in response to the painting &lt;span style="font-style:italic;"&gt;Toss in Greymouth&lt;/span&gt; 1959, by Colin McCahon, held in The Suter Gallery Collection, Nelson, New Zealand.
&lt;/p&gt;
&lt;h3&gt;
About the Painting and the Performance.
&lt;/h3&gt;
&lt;p&gt;
&lt;span style="font-style:italic;"&gt;Toss in Greymouth &lt;/span&gt;by Colin McCahon (1919-1986) was created in response to a letter by artist friend Sir Tosswill (Toss) Woollaston (1910-1998). Colin McCahon subsequently gave this painting  to Toss Woollaston where it hung for many years in the Woollaston family home, until 1984 when it was gifted by Sir Tosswill Woollaston to The Suter Gallery in Nelson. 
&lt;/p&gt;
&lt;p&gt;
As research for this poem, I interviewed a friend of Woollaston's who knew the history of this painting - thanks Gurli Hansen for that interview. I also researched material about both Toss Woollaston and Colin McCahon.  It was discovered that the text in the painting includes a inconsistency by Colin McCahon from the original letter by Toss Woollaston.  &lt;span style="font-weight:bold;"&gt;Dialogue with Toss Woollaston and Colin McCahon&lt;/span&gt; acknowledges and reflects this difference. It was a privledge to have members of the Woollaston family at the collaborative performances held at The Suter Gallery. 
&lt;/p&gt;&lt;br /&gt;
&lt;h2&gt;Dialogue with Toss Woollaston and Colin McCahon&lt;/h2&gt;
&lt;p style="font-weight:bold"&gt;written by Wendy Grace Dawson (now Allen)&lt;/p&gt;
&lt;h3&gt;I&lt;/h3&gt;
Alit on the flax a Tui at dusk.&lt;br /&gt;
And broke the late evening open with song.
&lt;h3&gt;II&lt;/h3&gt;
Look at my true New Zealand.&lt;br /&gt;
&lt;br /&gt;
Unpicturesque ordinariness.&lt;br /&gt;
Barren empty landscape.&lt;br /&gt;
&lt;br /&gt;
Rounded hills.&lt;br /&gt;
Spaces between.&lt;br /&gt;
&lt;br /&gt;
I am dealing with the essential monotony of this land.&lt;br /&gt;
A landscape with too few lovers.&lt;br /&gt;
&lt;br /&gt;
Tau cross.&lt;br /&gt;
Figure of Toss.&lt;br /&gt;
Stands.&lt;br /&gt;
A fellow lover of that land.&lt;br /&gt;
&lt;br /&gt;
&lt;h3&gt;III&lt;/h3&gt;
Stormy skies.&lt;br /&gt;
Brooding, moody, solemn.&lt;br /&gt;
Glimpse of a headland.&lt;br /&gt;
&lt;br /&gt;
Earth wrestling with sky.&lt;br /&gt;
Painter wresting with canvas.&lt;br /&gt;
&lt;br /&gt;
&lt;h3&gt;IV&lt;/h3&gt;
Light separating from darkness.&lt;br /&gt;
Painting&amp;apos;s essential task.&lt;br /&gt;
&lt;br /&gt;
I am the source of the light in this darkend landscape.&lt;br /&gt;
&lt;br /&gt;
Words made clear, and spoken directly to the viewer.&lt;br /&gt;
A conversation in paint.&lt;br /&gt;
&lt;br /&gt;
Look at my true New Zealand.&lt;br /&gt;
My vision, my invention, my discovery.&lt;br /&gt;
&lt;h3&gt;V&lt;/h3&gt;
Alit on the flax a Tui at dusk,&lt;br /&gt;
And shot the late evening open with song.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;#169; Copywrite Wendy Grace Dawson 2002
&lt;br /&gt;
&lt;br /&gt;
For more information about this painting please check out:
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.nzmuseums.co.nz/index.php?option=com_nstp&amp;task=showDetail&amp;recordIdSet=3174"&gt;Toss in Greymouth&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://en.wikipedia.org/wiki/Toss_Woollaston"&gt;Toss Woollaston&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://en.wikipedia.org/wiki/Colin_McCahon"&gt;Colin McCahon&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;/div&gt;&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-2737465500676505812?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.nzmuseums.co.nz/index.php?option=com_nstp&amp;task=showDetail&amp;recordIdSet=3174' title='Poem by Wendy Grace Dawson (now Allen) in response to &quot;Toss in Greymouth&quot; by  New Zealand Artist Colin McCahon'/><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/2737465500676505812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=2737465500676505812&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2737465500676505812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2737465500676505812'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/08/poem-by-wendy-grace-dawson-now-allen-in.html' title='Poem by Wendy Grace Dawson (now Allen) in response to &quot;Toss in Greymouth&quot; by  New Zealand Artist Colin McCahon'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_t-n_SUc-t98/SoJpZNeu3yI/AAAAAAAABKw/cgxN8x_EXrw/s72-c/TossinGreymouth.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-6669515437634382904</id><published>2009-08-12T14:52:00.010+12:00</published><updated>2009-08-12T15:19:46.089+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blogging'/><title type='text'>About This Blog &amp; Expanded Content</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_t-n_SUc-t98/SoIyqDmAClI/AAAAAAAABKY/T2wh-HPaprY/s1600-h/P1100666.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://1.bp.blogspot.com/_t-n_SUc-t98/SoIyqDmAClI/AAAAAAAABKY/T2wh-HPaprY/s320/P1100666.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5368909403879639634" /&gt;&lt;/a&gt;
&lt;div class="postbody"&gt;
&lt;!-- INSERT POST HERE --&gt;Sorry I haven't blogged much.  One reason was that our computer was stolen, another that I couldn't get the internet in my apartment for four months (the challenges of living on the 26th floor etc). 

I'm going to change the direction of this blog.  My initial idea was to keep it all about The Border Crossing Art Project but I want to expand the content so I have more material to write about and to keep you interested.  So, you'll notice the tone of this blog is more personal and written in first person. You'll read more about the day to day life of artists, other cool art that I've seen or found and other life stuff like travel.  Maybe a poem or two.  Let me know - post a "comment" if you like the material I write so that I know I'm on the right track, or if it's really boring knowing day to day stuff and you'd rather I wrote in a more formal publishable style, then let me know that too. Watch this space... the sky's the limit.
   
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-6669515437634382904?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/6669515437634382904/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=6669515437634382904&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6669515437634382904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/6669515437634382904'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/08/about-this-blog-expanded-content.html' title='About This Blog &amp; Expanded Content'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_t-n_SUc-t98/SoIyqDmAClI/AAAAAAAABKY/T2wh-HPaprY/s72-c/P1100666.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-8571222975204609766</id><published>2009-05-06T17:27:00.009+12:00</published><updated>2009-05-30T18:14:37.388+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Copyright'/><title type='text'>Changes to The Border Crossing Art Project  Because of Issues of Copyright</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_t-n_SUc-t98/SgEiye8rWjI/AAAAAAAAA14/cDP149zigug/s1600-h/P1010723.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://4.bp.blogspot.com/_t-n_SUc-t98/SgEiye8rWjI/AAAAAAAAA14/cDP149zigug/s320/P1010723.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5332581684479744562" /&gt;&lt;/a&gt;
&lt;div class="postbody"&gt;
&lt;p&gt;Dear friends and supporters,&lt;/p&gt;
&lt;p&gt;Thank you for your overwhelming support for The Border Crossing Art Project.  I've received encouragement and feedback from so many people (including artists I've never met) from many countries including the U.K, U.S.A, New Zealand, Australia, Singapore, Thailand and Japan.  Thank you to everyone that has taken the time to check out the blog.  I've been amazed by how much people have liked my concept for the project which I started over a year ago.  The idea is so popular that similar projects are also appearing.&lt;/p&gt;
&lt;p&gt;I've enjoyed sharing with you details about the project but have decided to remove some of the content about the project to avoid possible copyright issues.  Galleries and supporters will still be able to access the extended information by contacting me.&lt;/p&gt;
&lt;p&gt;We are awaiting confirmation from several galleries throughout the Asia Pacific about exhibiting The Border Crossing Art Project.  I will inform you when these are confirmed and the date of the exhibition at HRH Princess Sirindhorn Art Center in Loei province, North-East Thailand.&lt;/p&gt;
&lt;p&gt;Best wishes and kia kaha,&lt;br /&gt;
Wendy&lt;/p&gt;
&lt;p&gt;Wendy Grace Allen&lt;br /&gt;
Curator and artist&lt;br /&gt;
The Border Crossing Art Project&lt;/p&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-8571222975204609766?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/8571222975204609766/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=8571222975204609766&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8571222975204609766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8571222975204609766'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/05/changes-to-border-crossing-art-project.html' title='Changes to The Border Crossing Art Project  Because of Issues of Copyright'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_t-n_SUc-t98/SgEiye8rWjI/AAAAAAAAA14/cDP149zigug/s72-c/P1010723.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4655697381761518645</id><published>2009-03-30T22:08:00.004+13:00</published><updated>2009-04-20T04:14:44.228+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='North East Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Thai Food'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Thai Culture'/><title type='text'>The Art of Making  Khao Dom Ga Ti  - Sticky Rice in Coconut Wrapped in Banana Leaves</title><content type='html'>&lt;div class="postbody"&gt;&lt;a href="http://picasaweb.google.com/lh/photo/Yw0dmlEvYVcqgIKb66kiyQ?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SdC4squzJyI/AAAAAAAAA1Y/sXGFhZRacvk/s400/P1130103.JPG" /&gt;&lt;/a&gt;
&lt;h3&gt;Ingredients for Khao Dom Ga Ti  - Sticky Rice in Coconut Wrapped in Banana Leaves*
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;4 cups glutinous "Sticky" Rice (khao niao)&lt;/li&gt;
&lt;li&gt;1 cup sugar (nam tan)&lt;/li&gt;
&lt;li&gt;400mls coconut water or coconut milk watered down (nam maprao)&lt;/li&gt;
&lt;li&gt;5-10 bananas (gluay) cut length-ways and then into 5cm pieces (small bananas are better)&lt;/li&gt;
&lt;li&gt;1 teaspoon salt (glua)&lt;/li&gt;
&lt;li&gt;peanuts (tua din) (optional)&lt;/li&gt;
&lt;li&gt;banana leaves (bai dtaawng)(pre-cut into pieces 25cm (L) x 14cm (W)(baking paper may work instead of banana leaves but I haven't tried it)&lt;/li&gt;
&lt;/ul&gt;
*the amount for each ingredients is variable according to taste and how many &amp;lqt;parcels&amp;rqt; you want to make.

Makes about 40 parcels.

Yai (Grandmother) showed me how to make this recipe.  Your banana leaf parcels may not look neat and tidy to begin with but practice makes perfect.
&lt;a href="http://picasaweb.google.com/lh/photo/qEXvFXF3zlaIKYzNcGSVFw?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SdC4lhDvYCI/AAAAAAAAA0Y/j_G8XuWXC-4/s400/P1130089.JPG" /&gt;&lt;/a&gt;

1. Cook the rice by first washing the rice and then soaking it for 1 hour or overnight.  Cook in a steamer with the salt and peanuts for about 20 minutes.
&lt;a href="http://picasaweb.google.com/lh/photo/BExUYki48b3J9JD5kKjrNg?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SdC4gvY_lYI/AAAAAAAAAzw/nolS-5IeHoM/s400/P1130084.JPG" /&gt;&lt;/a&gt;

2. Boil the coconut water rapidly for 10 minutes, then add the sugar 

3. When the rice is cooked stir into coconut water until thoroughly combined taking care not to let it burn on the bottom of the pan.
&lt;a href="http://picasaweb.google.com/lh/photo/2NQClCkaMVnEhoD-fgKSGg?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SdC4iv5zXVI/AAAAAAAAA0A/dyh_co0C1lY/s400/P1130086.JPG" /&gt;&lt;/a&gt;

4. Put a dessert spoonful of rice length-ways in a banana leaf. Place a slice of banana on top of the rice then put another spoonful of rice on top of the banana.
&lt;a href="http://picasaweb.google.com/lh/photo/FYm5l7ISsSZZqg0Hp5cXGw?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/SdC4jSuSwgI/AAAAAAAAA0I/wPG6vx8Ui-g/s400/P1130087.JPG" /&gt;&lt;/a&gt;

5. Wrap by rolling tightly length-ways and then folding over and tucking under the ends of the banana leaf. It's important to pack the rice tightly in the parcel (it takes a little practice).  The finished size of the parcel should be about 10cm long x 4cm wide.
&lt;a href="http://picasaweb.google.com/lh/photo/J1SWqqskWzyl8cNrNFoNlw?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/SdC4mUl5-CI/AAAAAAAAA0g/7InasIPGRr4/s400/P1130090.JPG" /&gt;&lt;/a&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/_epnXou8xRHw3mqQiZjdtw?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/SdC4pjpI8VI/AAAAAAAAA04/iIj3E_3e8gI/s400/P1130095.JPG" /&gt;&lt;/a&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/jJdPhwihGsDRFRN-MXy-eQ?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/SdC4on7scQI/AAAAAAAAA0w/e0oiZIbfj7I/s400/P1130093.JPG" /&gt;&lt;/a&gt;

6. Place parcels in a steamer for 10 minutes.  Enjoy hot or cold.
&lt;a href="http://picasaweb.google.com/lh/photo/1QspoJXPDYPRD11yEAUdzg?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/SdC4njoVqgI/AAAAAAAAA0o/2rwCZ1myqNo/s400/P1130091.JPG" /&gt;&lt;/a&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/4NGAgmDO_8fub38FpsDhVA?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SdC4rHudV2I/AAAAAAAAA1I/07qVTasVF5A/s400/P1130101.JPG" /&gt;&lt;/a&gt;
&lt;br /&gt;
Yummy - Saab Lai 
&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4655697381761518645?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4655697381761518645/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4655697381761518645&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4655697381761518645'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4655697381761518645'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/02/art-of-making-khao-dom-ga-ti-sticky.html' title='The Art of Making  Khao Dom Ga Ti  - Sticky Rice in Coconut Wrapped in Banana Leaves'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_t-n_SUc-t98/SdC4squzJyI/AAAAAAAAA1Y/sXGFhZRacvk/s72-c/P1130103.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-33494458454262924</id><published>2009-03-18T15:29:00.013+13:00</published><updated>2009-03-24T03:03:04.389+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Artist In Residence'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Centre'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Education'/><category scheme='http://www.blogger.com/atom/ns#' term='North East Thailand'/><title type='text'>Banpao Rural Art Centre (BRAC)</title><content type='html'>&lt;div class="postbody"&gt;
&lt;center&gt;&lt;a href="http://picasaweb.google.com/lh/photo/3dryRja2gfuJL6tYFmIz8A?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SceMs5xTAdI/AAAAAAAAAyc/4FRw0v8G-t0/s400/BRAC_logo.gif" /&gt;&lt;/a&gt;&lt;/center&gt;
&lt;p&gt;Founded in 2002 by Dr. Apichart Pholprasert, BRAC is designed to be a centre for creative practitioners to work in a Thai rural context along side friendly farmers. It is set up in a Banpao village, Chiyaphum Province, north east of Thailand. The philosophy for BRAC's creative activities is based on a correspondence between artistic and agricultural practices.&lt;/p&gt;
&lt;p style="text-align: center"&gt;&lt;a href="http://picasaweb.google.com/lh/photo/DxSOQGKx-Z3qx3D31yaDsg?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SceD-SK1xxI/AAAAAAAAAxI/UypuKBQYpUQ/s400/BRAC_plan1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;caption&gt;Plan of the art centre.&lt;/caption&gt;&lt;/p&gt;
&lt;p&gt;Wendy Grace Allen was Artist-in-Residence at BRAC from late 2008 till early 2009, where she worked on The Border Crossing Art Project and her up and coming Rural Go Go exhibition.&lt;/p&gt;&lt;p style="text-align: center"&gt;&lt;a href="http://picasaweb.google.com/lh/photo/9AHm5l1p7fonlfUyMXdlqg?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SXj_9oLzSnI/AAAAAAAAAFs/FhsM4zHSouM/s400/P1120836.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;caption&gt;Air and Apichart Pholprasert and Wendy and Warwick Allen outside BRAC.&lt;/caption&gt;&lt;/p&gt;&lt;br /&gt;&lt;p style="text-align: center"&gt;&lt;a href="http://picasaweb.google.com/lh/photo/a-JH-FeVCkbBkkq9vQP6Zw?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/SceIXKFrX7I/AAAAAAAAAx8/nEKl-lnZkOE/s400/P1120749.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;caption&gt;Wendy with an art student and his painting.&lt;/caption&gt;&lt;/p&gt;&lt;br /&gt;
&lt;p style="text-align: center"&gt;&lt;a href="http://picasaweb.google.com/lh/photo/5U42g4RSY6gFDQ76H9M8AA?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/SceD7V8jJ0I/AAAAAAAAAww/fWg0U3d9t-k/s400/BRAC%20letter_html_16d80806.jpg" /&gt;&lt;/a&gt;
&lt;caption&gt;Children’s art at BRAC&lt;/caption&gt;
&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;Assistant Professor Dr. Caroline Mercier (Department of Theatre, California State University) was artist-in-residence from June 15&lt;sup&gt;th&lt;/sup&gt;–August 18&lt;sup&gt;th&lt;/sup&gt; 2006.&lt;/p&gt;&lt;p style="text-align: center"&gt;&lt;a href="http://picasaweb.google.com/lh/photo/JxvWfAvXtmgzI43SVLcrSA?feat=embedwebsite"&gt;&lt;img src="http://lh4.ggpht.com/_t-n_SUc-t98/SceD83HtScI/AAAAAAAAAw4/h5-6yPyM03o/s400/BRAC%20letter_html_m506cf6be.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;caption&gt;Photos from Dr. Mercier's residency.&lt;/caption&gt;&lt;/p&gt;
&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-33494458454262924?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/33494458454262924/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=33494458454262924&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/33494458454262924'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/33494458454262924'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/03/banpao-rural-art-centre-brac-founded-in.html' title='Banpao Rural Art Centre (BRAC)'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_t-n_SUc-t98/SceMs5xTAdI/AAAAAAAAAyc/4FRw0v8G-t0/s72-c/BRAC_logo.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-4850259648852816474</id><published>2009-02-06T20:49:00.011+13:00</published><updated>2009-02-07T04:13:21.910+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Esan'/><category scheme='http://www.blogger.com/atom/ns#' term='Artist In Residence'/><category scheme='http://www.blogger.com/atom/ns#' term='Isaan'/><category scheme='http://www.blogger.com/atom/ns#' term='North East Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Esaan'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Buddhism'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Residency'/><category scheme='http://www.blogger.com/atom/ns#' term='Thai Culture'/><title type='text'>About Banpao - Thai Esaan Village Life</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://picasaweb.google.com/lh/photo/JCLHKr8iemp-FjSy33J1dg?feat=embedwebsite"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://lh6.ggpht.com/_t-n_SUc-t98/SYxGSJSBNGI/AAAAAAAAAwI/vMydtcEObeo/s400/Chapter2_titlepageimage.jpg" border="0" alt="" /&gt;&lt;/a&gt;
&lt;div class="postbody"&gt;
&lt;p&gt;&lt;em&gt;Wendy Grace Allen was invited by Director Dr Apichart Pholprasert to be Artist in Residence for 3 months 2008-2009 at Banpao Rural Art Centre.  Below is an excerpt relating to Banpao village from Dr Pholprasert's doctoral thesis on rural nostalgia in art.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Banpao is situated in the Kasetsombun District, Chaiyaphum Province. The first settlement of Banpao community is believed to have been during the Ayudhaya period (1350-1767), (Religion Department of Thai Government, 1982)&lt;sup&gt;&lt;a href="#footnote1"&gt;1&lt;/a&gt;&lt;/sup&gt;. Two important characteristics must immediately be discussed: Banpao is agricultural and Buddhist. Most accounts of the history of Thailand stress the centrality of a way of rural life that has developed in relation to the practice of Theravada Buddhism&lt;sup&gt;&lt;a href="#footnote2"&gt;2&lt;/a&gt;&lt;/sup&gt;. In a Thai village, Buddhism combines the requirement of liberating the mind from human delusion with the necessity of living in harmony with nature. In the same way that the agricultural environment is seen to be the product of generations of labour, it is also clear that a single life span is not enough time to achieve true liberation. The Buddhist concept of reincarnation has a strong environmental resonance for villagers. It is easy for a Thai farmer to understand that he must strive to achieve ‘merit’ (in Thai, called Boon) in the present in order to contribute to a shared, accumulating ‘good’. Agricultural people can relate to the idea of environmental and spiritual inheritance in the same terms.The next section will illustrate and describe the village ceremonies that have evolved over centuries in support of the agricultural/spiritual well-being of the community. These are continued even though the traditional way of life is changing.&lt;/p&gt;
&lt;p&gt;In the context of this thesis, the retention of ritual within an increasingly nontraditional social context could be seen as an example of therapeutic nostalgia provoked by an increasingly uncertain national identity. The next section will illustrate and describe the village ceremonies that have evolved over centuries in support of the agricultural/spiritual well-being of the community. These are continued even though the traditional way of life is changing.&lt;/p&gt;
&lt;h3&gt;Disruptions&lt;/h3&gt;
&lt;p&gt;There are two recent transformations to the agricultural aspects of Banpao life that need to be discussed before proceeding further: 1) the introduction of ‘iron buffalo’ tractors to replace the animals that drew ploughs and carts and 2) the influx of Chinese middlemen who buy and sell rice and offer loans to farmers to help them mechanise their work (Walker, 1992: 77).&lt;/p&gt;
&lt;p&gt;When I recall Banpao before the advent of tractors and rice merchants I do not find it difficult to link the way of life to the most ancient traditions. The families amongst whom I grew up farmed only enough land to provide for their needs. Apart from rice they grew fruit and vegetables, which were shared out within their extended family and amongst neighbours. Pigs, ducks and chicken were kept for meat. In addition, fish were readily available in local ponds and flooded paddy fields.&lt;/p&gt;
&lt;p&gt;There is a well-known verse that describes the wealth of food resources in rural
Thailand: ‘Nai Nam Mee Pla Nai Na Me Kaow’ (In the river, there is fish, in the field,there is rice). Banpao farmers never lacked food. The richness of natural resources has been one of the main characteristics of Banpao village. Rice and fish are not only the most common meal for farmers, they have become a symbol of ‘food’ itself. This can be noticed from the villagers’ friendly greetings when they walk pass each other: “Have you had rice yet?” or “What do you have with your rice today?” The spontaneous answer is “I have rice with fish”; no matter what they had for a meal that day.&lt;/p&gt;
&lt;p&gt;In recent years the government has encouraged farmers to increase rice production. There have been nationwide missions to encourage the adoption of modern technology and chemical fertilisers and countless local schemes to improve irrigation systems. As a result, Thailand has become one of the biggest exporters of rice in the world and, whilst remaining a land of farmers (about sixty per cent of a population of sixty-three million (Poonyarat, 2003: 8A), has transformed a traditional way of life into a very competitive agricultural industry focused on international markets.&lt;/p&gt;
&lt;h3&gt;The use of machinery in farming&lt;/h3&gt;
&lt;p&gt;With this change of status, the religious and cultural importance of rice has also undergone modification. The festivals that blessed each stage of the rice-growing process were once an entirely local matter, a common sight in villages across the land. Now there is an all encompassing Royal Ploughing Ceremony that is televised nationwide to mark the beginning of the rice-growing season. Just as the ancient balance between productivity and conservation was once marked by countless small ceremonies that celebrated the spiritual strength of each village community:now the commercial production of rice generates this lavish TV spectacle that is said to promote the spiritual strength of the entire population (Chadchaidee, 1994). This correlation of village and national identity has some resonance in my later discussion of rural themes in contemporary Thai painting. For example, the many farming rituals that offer thanks to Mae Posop (the Rice Mother) have been popularised in tourist-oriented imagery that apparently represents Thailand both to itself and to the outside world. As we shall see, Bangkok artists (nearly always with rural upbringings) have been in good part responsible for this transformation.&lt;/p&gt;
&lt;p&gt;Above all else, it is the impact of returning migrant workers that has changed the fabric of village life. Those who have lived and worked in cities import urban values to the midst of farming communities. Rural families now expect to own television sets and stereo equipment and use electronic public address systems within traditional ceremonies (Walker, 1992: 77). Alongside this trend, the government has also sought to update rural society through initiatives that have encouraged the spread of digital telecommunication technology throughout rural areas.&lt;/p&gt;
&lt;p class="blog_reference"&gt;Extract from Dr Apichart Pholprasert's doctoral thesis on rural nostalgia in art.&lt;/p&gt;&lt;a name="footnote1"&gt;&lt;/a&gt;&lt;p class="footnote"&gt;1. The age of the village has been estimated using archaeological evidence from the village’s main temple.&lt;/p&gt;
&lt;a name="footnote2"&gt;&lt;/a&gt;&lt;p class="footnote"&gt;2. As Buddhism expanded across Asia from its origins in India, it evolved into two main forms: Theravada and Mahayana. Theravada is the original form of Buddhism. (Robinson, B.A. “Buddhism” http://www.religioustolerance.org/buddhism.htm [access 10 May 2005]). See also, Gillett, R.(2001) The Essence of Buddhism. London: Caxton Publishing Group.&lt;/p&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-4850259648852816474?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/4850259648852816474/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=4850259648852816474&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4850259648852816474'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/4850259648852816474'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/02/thai-essan-village-life-banpao-rural.html' title='About Banpao - Thai Esaan Village Life'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_t-n_SUc-t98/SYxGSJSBNGI/AAAAAAAAAwI/vMydtcEObeo/s72-c/Chapter2_titlepageimage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-8323108326086223998</id><published>2009-01-29T04:41:00.007+13:00</published><updated>2009-02-07T04:27:36.386+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Aboriginal Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Australian Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Artist'/><category scheme='http://www.blogger.com/atom/ns#' term='Australia'/><title type='text'>Negotiating Boundaries - Australian Art</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_t-n_SUc-t98/SYB94zuK7RI/AAAAAAAAAhM/d5rmhEj3hFU/s1600-h/001-Negotiating+Boundaries+%231+18702+11_small.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 278px; height: 320px;" src="http://4.bp.blogspot.com/_t-n_SUc-t98/SYB94zuK7RI/AAAAAAAAAhM/d5rmhEj3hFU/s320/001-Negotiating+Boundaries+%231+18702+11_small.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5296371576697711890" /&gt;&lt;/a&gt;
&lt;div class="postbody"&gt;
&lt;h1&gt;Negotiating Boundaries&lt;/h1&gt;
&lt;h2&gt;Gates, salt lakes and hallowed ground&lt;/h2&gt;
&lt;p&gt;Boundaries are present in our lives in diverse ways.  They may be natural or man-made, psychological or social.  They may have a spiritual significance.  Boundaries may be negotiated in diverse ways.  This is the domain that Negotiating Boundaries explores.&lt;/p&gt;
&lt;p&gt;The region where I, a descendent of first settlers, grew up and now live encompasses Lake Alexandrina and Lake Albert, from Strathalbyn to Milang and Narrung and the northern reaches of the Coorong.  Mount Barker is a constant feature of the horizon.  For me the lakes region has a profound spiritual atmosphere.&lt;/p&gt;
&lt;p&gt;In this region some boundaries are man-made constructions such as gates and fence lines, while other boundaries follow natural forms of waterways, shore lines, salt lakes and horizons.  Such forms can become metaphors for boundaries marking colonisation and exclusion.  They also become metaphors and suggest transformation.&lt;/p&gt;
&lt;p&gt;Around Lake Alexandrina and Lake Albert old farm gates and fences of corroding, battered metal and wire, stand or lean in discomforting elegance. The gate is familiar, yet ambivalent.  On one hand the gate constrains and controls, denoting colonisation of land and people, yet it also conveys possibilities of openness and transition.  For the Ngarrindjeri nation this country, with its salt lakes, freshwater lakes and the Coorong, is hallowed ground, a spiritual place. &lt;a class="footnotelink" href="#footnote1"&gt;1&lt;/a&gt; In past history, colonisation and control of Ngarrindjeri lands and people was not negotiated.  Cross-gates over Coorong country personifies the gate as a sign of authority on one hand while suggesting transcendence on the other.&lt;/p&gt;
&lt;p&gt;Today, decomposing man-made boundaries can be a metaphor for new possibilities of negotiation, including cross-cultural exchange and reconciliation.  In this collection, Negotiating histories was created in collaboration with artist and Ngarrindjeri elder, Ellen Trevorrow.  Suggestions of country are overlaid with rush woven forms, aged found wire, a pair of mapping callipers and a constructed gate symbolising shifts in ownership and relationships.  Further works shows Mt. Barker, Wommamukurta - Mountain in the Plain, a site of ancient burial customs of the Peramangk people, with floating veils, weeping or blissful, patterned with disintegrating gates, a token of our mourning and remembrance.&lt;/p&gt;
&lt;p&gt;For many people this country with its dark alluvial soils, limestone outcrops and flattened horizons is apparently lifeless and at times dark and foreboding.  Yet unexpected flashes of colour at salt lake’s edge, in vegetation and sky denote life.  The austere, vast expanse of sky, land, water and sparkling crystalline salt flats emanate a spiritual ambience. While this atmosphere may be sensed in the optimism of dawn or the melancholia of nightfall, it is also evidenced in summer when light-drenched, bleached out surfaces of salt lake and grassland saturate the eye.  It becomes a ‘thin-place’. &lt;a class="footnotelink" href="#footnote2"&gt;2&lt;/a&gt; There can be a sense that material life is indeed finite, and the infinite and intimate Other is present.  In this context, corroding gates and remnants of fences become metaphors for encountering and negotiating a material-spiritual nexus.&lt;/p&gt;
&lt;p&gt;Decorative forms of disintegrating gates leading to Warrenji Station, a Ngarrindjeri place of significance, become reminiscent of universal signs for wholeness.  In one series iconic gate fragments levitate over, or lie embedded in, land and roads - disembodied, seemingly benign.&lt;/p&gt;
&lt;p&gt;Shimmering salt lakes, round or elliptical, suggest soul forms.  In many spiritual traditions salt and light are symbols of a blest life. In works entitled Hallowed ground and Night flight, subtle shifts of light in darkness and floating, often incomplete, salt lake or soul forms, imply that negotiating and crossing material-spiritual boundaries is an uncertain and mysterious process.&lt;/p&gt;
&lt;p&gt;The art of conveying such ambiguity can be described in the words of Korean artist, Lee Ufan, as ‘creating relationships between transparent and non-transparent things, making and non-making.  Through this process the work comes to incorporate the known and the uncertain’. &lt;a class="footnotelink" href="#footnote3"&gt;3&lt;/a&gt; In Negotiating Boundaries broken layers of colour lie over dark, textured  surfaces built up with earth from the region, sometimes deeply scarred, or float on glass.  Found wire and metal objects and cast stone are unexpectedly introduced.  Some surfaces are salt encrusted and will be subject to change during the life of the work.  Further uncertainty is generated in works such as the Borderlands series and Warrenji saltflats - rotating.  Here the viewer negotiates boundaries visually.  Landscape forms on multiple panels are layered, inverted, reversed, rotated and suggest that landscape, like life, is subject to fragmentation and change.  Thus boundaries of gates and fence lines, salt lakes and horizons may be freshly negotiated and evoke new meanings.&lt;/p&gt;
&lt;p&gt;This series contains the darkest works in the artist’s oeuvre to date, acknowledging the ominous times we grapple with, where hope is fragile. However, the work affirms that the spiritual may be present in darkness as well as light.&lt;/p&gt;
&lt;p class="blog_reference"&gt;Helen J. Stacey   MVA UniSA 1997, MVA (research) UniSA 2004, Associate Royal South Australian Society of Arts, July 2007&lt;/p&gt;
&lt;a name="footnote1"&gt;&lt;/a&gt;&lt;p class="footnote"&gt;1. In &lt;span style="font-style:italic;"&gt;Ngarrindjeri Nation Yarluwar-ruwe – Caring for Ngarrindjeri Sea Country and Culture&lt;/span&gt;, the Ngarrindjeri Tendi (Council) states, ‘Ngurunderi (the Creator) taught us our Miwi, which is our inner spiritual connection to our lands, water and each other and all living things (this) is passed down through our mothers since Creation’. (p.8)  (copies available from Camp Coorong, Meningie)&lt;/p&gt;
&lt;a name="footnote2"&gt;&lt;/a&gt;&lt;p class="footnote"&gt;2. In &lt;span style="font-style:italic;"&gt;God, where are you?&lt;/span&gt;, Darton, Longman &amp; Todd, London, 1997, Gerard W. Hughes refers to an indigenous Celtic theological notion of ‘thin places’, where the borderland between the material and spiritual world has little substance, a notion with similarities to indigenous Aboriginal theology of land which affirms the spiritual interconnectedness between place and people.  (see footnote #1)&lt;/p&gt;
&lt;a name="footnote3"&gt;&lt;/a&gt;&lt;p class="footnote"&gt;3. Ufan, Lee, ‘The Subjects of Sculpture’, &lt;span style="font-style:italic;"&gt;The Art of Encounter&lt;/span&gt;, trans. Anderson, Stanley N, Lisson Gallery Turner, London, 2004, p.30.&lt;/p&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-8323108326086223998?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/8323108326086223998/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=8323108326086223998&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8323108326086223998'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/8323108326086223998'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/01/negotiating-boundaries.html' title='Negotiating Boundaries - Australian Art'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_t-n_SUc-t98/SYB94zuK7RI/AAAAAAAAAhM/d5rmhEj3hFU/s72-c/001-Negotiating+Boundaries+%231+18702+11_small.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-7688635091522140527</id><published>2009-01-27T17:32:00.005+13:00</published><updated>2009-01-29T04:24:55.254+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='New Zealand Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Australian Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Gallery'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Workshop'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Exhibitions'/><title type='text'>Border Crossing Workshops</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_t-n_SUc-t98/SX6Q5v9qSAI/AAAAAAAAAJo/Hsd0Ku3S8Og/s1600-h/RonaldWaiing.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://1.bp.blogspot.com/_t-n_SUc-t98/SX6Q5v9qSAI/AAAAAAAAAJo/Hsd0Ku3S8Og/s320/RonaldWaiing.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5295829533636315138" /&gt;&lt;/a&gt;
&lt;div class="postbody"&gt;
&lt;p&gt;At each venue, the Border Crossing artists will conduct a workshop where invited artists and art students bring along one original painting and one fine art reproduction of that painting on canvas.  The artists will then swap their canvas prints and respond to the other artists work by painting on top of the artists canvas print.  The workshops could be held over a day or a weekend.  The original painting and the finished collaborative artworks will be displayed side-by-side in a gallery as an extension of the Border Crossing project.  At the completion of the exhibition, in the event that the work hasn't sold, the participating artists will then be returned their original painting and the fine art reproduction that they brought to the workshop.  The collaborative process will be documented by a film maker and photographer. The workshop participants will be encouraged to record their responses to the project on video, and via the The Border Crossing Art Project blog.  The workshops aim to strengthen cross cultural relationships, reinforce collaborative learning experiences for all artists and in particular for art students.  Artists participating in the project have the opportunity to learn new skills from each other whilst the process of collaboration encourages mutual respect, peace and understanding.  Additional art performances could be included during the process of the workshop.&lt;/p&gt;
&lt;h2&gt;Projected output of the project&lt;/h2&gt;
&lt;p&gt;The Wendy Grace Allen, Dr Apichart Pholprasert and Helen Stacey will produce fifteen finished paintings including three paintings (each painting approximately 166 cm x 104 cm) by only one artist and twelve collaborative paintings (each painting =A0 – 1189 cm x 841 cm).  The  documentation for Border Crossing  will be in artists book form.  Part of the project is to deliver art workshops to accompany the exhibitions in New Zealand, Australia, Thailand and Singapore.  In addition, there will be floor talks by the artists describing the project and discussing topics relating to art in the Asia Pacific region.  An interactive blog (website) and group/page on Facebook social network site have been created to support the project by encouraging cross cultural communication via regular on-going dialogue with an global audience.&lt;/p&gt;
&lt;h2&gt;Target audience for the project&lt;/h2&gt;
&lt;p&gt;Border Crossing is to be exhibited in Bangkok, Thailand, Palmerston North, New Zealand, Adelaide, Australia and Singapore.  The target audience includes professional artists, art collectors, art supporters, museum curators and art students.  In addition the interactive blog at http://thebordercrossingartproject.blogspot.com/ and The Border Crossing Art Project page on Facebook  provides a platform for dialogue with a diverse global audience.  At each exhibition a computer will be set up connecting to the blog site so audiences can comment on the project in real time, enabling immediate and on going interaction with the artists.&lt;/p&gt;
&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-7688635091522140527?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/7688635091522140527/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=7688635091522140527&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7688635091522140527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/7688635091522140527'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/01/border-crossing-workshops.html' title='Border Crossing Workshops'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_t-n_SUc-t98/SX6Q5v9qSAI/AAAAAAAAAJo/Hsd0Ku3S8Og/s72-c/RonaldWaiing.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-729411768134483073</id><published>2009-01-23T11:19:00.017+13:00</published><updated>2009-01-24T03:27:48.908+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='North East Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Esaan'/><category scheme='http://www.blogger.com/atom/ns#' term='Thai Food'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Thai Culture'/><category scheme='http://www.blogger.com/atom/ns#' term='Laos'/><title type='text'>Favourite Thai Esaan (Nth East) Food</title><content type='html'>&lt;div class="postbody"&gt;
&lt;div style="margin: 0px auto 10px; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_t-n_SUc-t98/SXjxx4NloJI/AAAAAAAAAE4/tdksKfwg1BY/s1600-h/P1010008.JPG"&gt;&lt;img alt="" src="http://3.bp.blogspot.com/_t-n_SUc-t98/SXjxx4NloJI/AAAAAAAAAE4/tdksKfwg1BY/s320/P1010008.JPG" border="0" /&gt;&lt;/a&gt; &lt;/div&gt;&lt;p&gt;Have you tried spicy Som Dum? It's a Lao style salad and a staple food in the Esaan (also spelt Esarn, Isaan, Isan in English)  (meaning Lao) area of North East Thailand. It's made from fresh green papaya (green mango, or cucumber), with cherry tomatoes, lime, fish sauce, sometimes peanuts, carrot, tiny shrimps or crab and always with chilli (Prik)!!! Every day I hear the sound of "pok pok" the nick name for Som Dum as women make Som Dum by pounding it with a pestle inside a morter. There's even a movie by the same name. In the movie a farang (foreigner) eats Som Dum and it makes him so crazy that he demolishes the restaurant. He later uses his extraordinary strength from eating Som Dum to beat up the baddies. Try it to see if you get Som Dum strength!&lt;/p&gt;
&lt;p&gt;Also in the photo is another favourite Esaan staple: Laab. Laab is a kind of minced salad (again from Laos), made with minced chicken (gai), pork (moo), beef (nuea) or local favs. fish (pla) or waterbuffalo (gnuea). The buffalo is smililar to beef but is a bit tougher and doesn't really have a strong flavour. The mince is mixed with rice powder (the rice has been fried and then ground into a powder), ubiquitous fish sauce, dried chilli, lime, chicken stock or water and garnished with mint, thai basil, coriander or other herbs. An important purpose of vegetables here is to be "Ghin gup Laab" to eat with Laab.  So Laab is served with fresh vegetables such as cabbage, lettuce, beans, small round eggplant, cucumber or other greens - yum.&lt;/p&gt;
&lt;p&gt;In the picture we are eating steamed rice (Khao Jao in Essan or Khao Soi in central Thailand), but usually we eat both these dishes with sticky rice (Khao Niao).  The sticky rice is rolled into balls, eaten with Laab and Som Dum using your fingers. For steamed rice you use a fork and spoon.  There's also some chicken in the picture, we had a feast that day!  (Oops we'd just started to eat and I remembered to take a pic).  From the photo we can tell it's not taken in the North East because there's no Khao Niao.  We eat Khao Niao usually three times a day here (that's in the rural Thai village of Ban Pao in Kaeset Sombun).  The rice is freshly harvested from Apichart's family's rice paddy fields.  Did you know that rice growing in the rice paddy smells like freshly cooked rice only a bit sweeter?&lt;/p&gt;&lt;/div&gt;&lt;div class="postquote"&gt;The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;div class="postquotereference"&gt;Fumio Nanjo&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-729411768134483073?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/729411768134483073/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=729411768134483073&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/729411768134483073'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/729411768134483073'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/01/favourite-thai-esaan-nth-east-food.html' title='Favourite Thai Esaan (Nth East) Food'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_t-n_SUc-t98/SXjxx4NloJI/AAAAAAAAAE4/tdksKfwg1BY/s72-c/P1010008.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-316057523985626909.post-2468346112020817646</id><published>2009-01-22T04:12:00.022+13:00</published><updated>2010-11-29T22:03:46.371+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Artist In Residence'/><category scheme='http://www.blogger.com/atom/ns#' term='New Zealand Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Asia Pacific'/><category scheme='http://www.blogger.com/atom/ns#' term='Fine Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Painters'/><category scheme='http://www.blogger.com/atom/ns#' term='Thailand'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Gallery'/><category scheme='http://www.blogger.com/atom/ns#' term='Canvas'/><category scheme='http://www.blogger.com/atom/ns#' term='Singapore'/><category scheme='http://www.blogger.com/atom/ns#' term='New Zealand'/><category scheme='http://www.blogger.com/atom/ns#' term='Giclee'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Work'/><category scheme='http://www.blogger.com/atom/ns#' term='Thai Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Australian Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Australia'/><title type='text'>The Border Crossing Contemporary Art Project</title><content type='html'>&lt;div class="postbody"&gt;
&lt;a href="http://1.bp.blogspot.com/_t-n_SUc-t98/SXhlTcTxOII/AAAAAAAAAEk/be_cSGJs7cs/s1600-h/P1100436sm.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5294092746665048194" src="http://1.bp.blogspot.com/_t-n_SUc-t98/SXhlTcTxOII/AAAAAAAAAEk/be_cSGJs7cs/s320/P1100436sm.jpg" style="cursor: pointer; display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 240px;" /&gt;&lt;/a&gt;
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&lt;span style="font-family: 'Century Gothic', sans-serif;"&gt;&lt;span style="font-size: 180%;"&gt;&lt;b&gt;BORDER CROSSING
&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h1 class="western"&gt;

Brief Description of Project&lt;/h1&gt;
&lt;i&gt;Border Crossing&lt;/i&gt; is as an exploration of collaborative art practice, where the artists involved in the project experiment with using multi-layered collaborative processes that traverse geographical and cultural boundaries.  Within this framework, the artists reflect on current land occupation, colonisation or ownership issues, and the effects of rural - urban relocation on identity relating to their specific cultural context.  The project culminates in a series of art exhibitions to be held in several countries within the Asia Pacific region.&lt;span style="font-weight: bold;"&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;h1 class="western"&gt;

Summary of issues explored in Border Crossing&lt;/h1&gt;
&lt;span style="font-weight: bold;"&gt;Summary of issues explored in Border Crossing&lt;/span&gt;
&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Collaboration between artists from different cultural  backgrounds.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;Using techniques for art reproduction and communication enabled  by contemporary technology.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;Issues of ownership, copyright and authenticity.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;How the artists resolve the themes for the work relevant to  their cultural backgrounds.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;Resolving the conflict between individual artists freedom and  respect for another artist's work.&lt;br /&gt;
 &lt;/li&gt;
&lt;/ul&gt;
&lt;h1 class="western"&gt;

Aims/Objectives&lt;/h1&gt;
&lt;span style="font-style: normal;"&gt;The aim of &lt;/span&gt;&lt;i&gt;Border Crossing&lt;/i&gt; &lt;span style="font-style: normal;"&gt;is to conduct an experiment between artists who originate from different cultural environments within the Asia Pacific region, utilising contemporary digital and communication technology to expand the possibilities of creative practice, culminating in a series of exhibitions in several countries.  Fundamental to the process is the way the artists communicate across geographical and cultural divides.  &lt;/span&gt;&lt;i&gt;Border Crossing&lt;/i&gt;&lt;span style="font-style: normal;"&gt; questions how issues of dissemination of information, image reproduction, ownership and copy write law are resolved and acted upon.  The use of fine art reproductions (giclee canvas prints) challenges the authenticity and originality of the artwork.  Who owns and therefore receives any monetary reward for a painting that the three painters have worked on?  Is it the artist who creates the first painting, or the person who finishes the artwork?  Unlike the master apprentice relationship, all three artists are acknowledged equally in contributing to the artwork, although the artist who finishes the painting has the main responsibility and freedom to resolve the finished artwork.  Inherent in the process is an element of respect and acknowledgement of another's work.  There is a need to adapt to another's painting style and respond accordingly.  It is the prerogative of each artist to select which parts of an artwork to retain and which parts to erase or adapt – each artist has the option to completely paint over the other's work.  In addition, the art exhibition, enabled by contemporary technology, creates a phylogeny of paintings where the evolution of the completed work can be traced, resembling a family tree.&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-attachment: scroll; background-clip: initial; background-color: transparent; background-image: none; background-origin: initial; background-position: 0% 0%; background-repeat: repeat repeat;"&gt;The intended o&lt;/span&gt;utcome of the exhibition is to present art work that engages viewers in a multi-country dialogue, stimulating discussion about the issues presented, and promoting collaborations between artists from different cultural backgrounds.  There will be a forum available for viewers to respond directly to the works thereby continuing the conversation.&lt;br /&gt;
&lt;strong&gt;&lt;i&gt;&lt;span style="font-weight: normal;"&gt;Border Crossing &lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-style: normal;"&gt;&lt;span style="font-weight: normal;"&gt;will impact the cultures that we are engaging with by r&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;aising awareness of issues concerning negotiating the differences between urban and rural life and critically engage people with issue concerning peoples connections to the land.  &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="font-weight: normal;"&gt;Border Crossing &lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-style: normal;"&gt;&lt;span style="font-weight: normal;"&gt;aims to &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;promote understanding between different cultures via the collaborative nature of the project and it's presentation to a diverse spectrum of people across several countries in the Asia Pacific region. &lt;/span&gt;&lt;/strong&gt; &lt;br /&gt;
&lt;h2 class="western"&gt;

&lt;b&gt;Connections between the artists&lt;/b&gt;&lt;/h2&gt;
Border Crossing curator, Wendy Grace Allen (nee Dawson) grew up in Palmerston North, New Zealand, making regular visits to her cousins at their nearby family farm. Later,she owned a house in the country where she developed an interested in landscape design, ecological and sustainable gardening, growing fruit and vegetables and keeping bees. Her relationship to the land is informed by her Christian world view of God as creator and our responsibility as caretakers of His creation. In 1996, Wendy moved from Otago where she completed her Diploma of Fine Arts, to Adelaide to study for her Master of Visual Arts degree at the University of South Australia. This is where she met fellow students Helen Stacey and Apichart Pholprasert. She has lived in several places around New Zealand, Australia, Singapore and Thailand. She is currently Artist in Residence in Ban Pao Rural Art Centre, Thailand.&lt;br /&gt;
A Bangkok based lecturer-artist, Apichart Pholprasert negotiates rural/urban cultural differences in his art practice. The contrasting experience between his childhood in a farming family in North East Thailand, and his relocation(s)to Bangkok, then Adelaide, Australia and Newcastle,U.K, to further his education led him to develop his art making philosophy. This philosophy builds around and responds to, the interconnection between the multiple binaries of rural/urban,low-tech/high-tech, and local/international.&lt;br /&gt;
Helen Stacey’s work revolves around the land, where some series include sign and metaphor related to issues of reconciliation and spirituality. In Border Crossing her work celebrates the long awaited post-apology era when reconciliation between Aboriginal and non-Aboriginal Australians can be further advanced and signs of colonisation can become transformed.&lt;br /&gt;
&lt;h1 class="western"&gt;

Methodology/Implementation of the Project&lt;/h1&gt;
&lt;h2 class="western"&gt;

&lt;b&gt;Collaborative Process&lt;/b&gt;&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Each artist creates a painting, then follows the pattern  below:&lt;br /&gt;
  &lt;i&gt;Artist A &lt;/i&gt;paints a canvas reflecting on the themes/ideas of  the show.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;i&gt;Artist&lt;/i&gt; &lt;i&gt;A &lt;/i&gt;then takes a digital photograph of  their work and emails a copy to the other two artists.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;With the digital copy of the image received, &lt;i&gt;Artist&lt;/i&gt; &lt;i&gt;&lt;span style="font-weight: normal;"&gt;B&lt;/span&gt;&lt;/i&gt;  and &lt;i&gt;Artist C &lt;/i&gt;&lt;span style="font-style: normal;"&gt;each&lt;/span&gt;&lt;i&gt;  &lt;/i&gt;produce a giclee print onto canvas (of specified size).&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;Artist &lt;i&gt;B&lt;/i&gt; then paints on top of a giclee print of the  painting made by&lt;i&gt; Artist&lt;/i&gt; &lt;i&gt;A&lt;/i&gt;, responding to the work and  reflecting on the theme of the show.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;i&gt;Artist C&lt;/i&gt; also paints on top of a giclee print of the  painting made by &lt;i&gt;Artist A&lt;/i&gt;.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;i&gt;Artist B&lt;/i&gt; takes a digital photograph of the combined  artist's work (&lt;i&gt;Artist A and Artist B).&lt;/i&gt; The photograph is  emailed to &lt;i&gt;Artist C&lt;/i&gt;.   &lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;i&gt;Artist C&lt;/i&gt; takes a digital photograph of the combined  artist's work (&lt;i&gt;Artist A and Artist C&lt;/i&gt; ). The photograph is  emailed to &lt;i&gt;Artist B&lt;/i&gt;.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;span style="font-style: normal;"&gt;With the digital copy of the  image received, &lt;/span&gt;&lt;i&gt;Artist &lt;/i&gt;&lt;i&gt;&lt;span style="font-weight: normal;"&gt;C&lt;/span&gt;&lt;/i&gt;&lt;i&gt;  &lt;/i&gt;&lt;span style="font-style: normal;"&gt;produces a giclee print onto  canvas&lt;/span&gt;.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;span style="font-style: normal;"&gt;With the digital copy of the  image received, &lt;/span&gt;&lt;i&gt;Artist &lt;/i&gt;&lt;i&gt;&lt;span style="font-weight: normal;"&gt;B  &lt;/span&gt;&lt;/i&gt;&lt;span style="font-style: normal;"&gt;&lt;span style="font-weight: normal;"&gt;also&lt;/span&gt;&lt;/span&gt;&lt;i&gt;  &lt;/i&gt;&lt;span style="font-style: normal;"&gt;produces a giclee print onto  canvas&lt;/span&gt;.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;i&gt;Artist C &lt;/i&gt;then paints on top of the giclee canvas print  in response to &lt;i&gt;Artists A and B's&lt;/i&gt; work.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;&lt;i&gt;Artist B &lt;/i&gt;&lt;span style="font-style: normal;"&gt;also then&lt;/span&gt;  paints on top of the giclee canvas print in response to &lt;i&gt;Artists A  and C's&lt;/i&gt; work.&lt;br /&gt;
  &lt;/li&gt;
&lt;li&gt;This process is performed three times: once for each of the  contributing artist taking the place of &lt;i&gt;Artist A&lt;/i&gt;&lt;span style="font-style: normal;"&gt;.&lt;/span&gt;&lt;br /&gt;
 &lt;/li&gt;
&lt;/ol&gt;
&lt;i&gt;The final exhibition will consist of fifteen paintings on canvas: three original fine art paintings on canvas and twelve subsequent collaborative  paintings/canvas prints.&lt;/i&gt; The process is illustrated in Figure 1, where the artists are labelled A, B and C.&lt;br /&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/GYxq4eUUA17oyKnPMejmqw?feat=embedwebsite"&gt;&lt;img src="http://lh5.ggpht.com/_t-n_SUc-t98/SYBqOrOermI/AAAAAAAAAgE/9O7TCIQQFiQ/s400/CollabratoriveProcessDiagram1.png" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class="caption"&gt;
Figure 1: A diagrammatic representation of the collaborative process.  Each letter represents an artist.  The lines trace the history of a work.  For example, the left branch of the left-most tree describes the process of Artist A creating a painting (a copy of) which is passed to Artist B to over paint, then a copy of this new work is passed to Artist C for a second over-painting.&lt;/div&gt;
The details of collaborative process can be confusing, so it is helpful to explain it in several different ways.  Figure 2 also describes the process, labelling the paintings instead of the artists, and figure 3 shows how the actual artworks fit on to the tree.&lt;br /&gt;
&lt;a href="http://picasaweb.google.com/lh/photo/qdCBBUbWo06zV0NzWje7IQ?feat=embedwebsite"&gt;&lt;img src="http://lh6.ggpht.com/_t-n_SUc-t98/SYBqO9gSWaI/AAAAAAAAAgM/QZGh1uUEXjg/s400/CollabratoriveProcessDiagram2.png" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class="caption"&gt;
Figure 2: An alternative diagrammatic representation of the collaborative process.  The nodes of these graphs represent a (finished) painting using the following notation: each painting is labelled by the initials of the artists who have worked on it (see the key in the figure for a list of the initials), with the order of the initials corresponding to the order that the artists worked on the painting.  For example, the node &lt;span style="font-family: sans-serif; font-style: normal; font-weight: bold;"&gt;WAH&lt;/span&gt; represents a work that was originally painted by Wendy Grace Allen, reproduced and painted over by Apichart Pholprasert, reproduced again and finish by Helen Stacey.&lt;/div&gt;
&lt;center&gt;&lt;a href="http://picasaweb.google.com/lh/photo/WjfDK9x4MIBkhidK00ZCoA?feat=embedwebsite"&gt;&lt;img src="http://lh3.ggpht.com/_t-n_SUc-t98/S5Vj6K2RGWI/AAAAAAAAFGw/X5i4Mv9OSOY/s288/Diagram%2020x24%20inch%20%5Bsmall%20file%5D.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;
&lt;div class="caption"&gt;
Figure 3: Images of the artworks arranged as a “family tree”.
&lt;/div&gt;
The project is to be exhibited in Bangkok, Thailand, Palmerston North, New Zealand, Adelaide, Australia and Singapore.  The target audience includes professional artists, art collectors, art supporters, museum curators and art students.&lt;br /&gt;
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&lt;div class="postquote"&gt;
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.&lt;br /&gt;
&lt;div class="postquotereference"&gt;
Fumio Nanjo&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;"The earth's waters are both boundaries and pathways for peoples, objects and ideas". Fumio Nanjo&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/316057523985626909-2468346112020817646?l=thebordercrossingartproject.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://thebordercrossingartproject.blogspot.com/feeds/2468346112020817646/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=316057523985626909&amp;postID=2468346112020817646&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2468346112020817646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/316057523985626909/posts/default/2468346112020817646'/><link rel='alternate' type='text/html' href='http://thebordercrossingartproject.blogspot.com/2009/01/extended-project-mix.html' title='The Border Crossing Contemporary Art Project'/><author><name>Curator-artist Wendy Grace Allen</name><uri>http://www.blogger.com/profile/00734118607676342425</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_t-n_SUc-t98/SXhlTcTxOII/AAAAAAAAAEk/be_cSGJs7cs/s72-c/P1100436sm.jpg' height='72' width='72'/><thr:total>2</thr:total></entry></feed>
