Showing posts with label Art Exhibitions. Show all posts
Showing posts with label Art Exhibitions. Show all posts

Tuesday, December 7, 2010

Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010


Christie Anthoney (right), Creative Director, TAFESA, and family


Pro Vice Chancellor UniSA, Professor Pal Ahluwalia with project supporters(right)


Orapin Plummer, President of the Thai Culture Association South Australia




The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo

Thursday, December 2, 2010

Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010

Workshop artist Mike Sara and family


 

 

 

 

Chris Bull from Helpmann Academy and workshop artist Sheila Whittam


 

Workshop artist, Lauryn Arnott (right) with friends


More photographs from the exhibition opening to follow in subsequent posts.

Photos courtesy of the Helpmann Academy.

The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo

Tuesday, November 30, 2010

Light Square Gallery Art Exhibition Opening Adelaide, South Australia - 22nd September 2010

AC Arts - Light Square Gallery - Adelaide, South Australia


Edward James (Helpmann Academy) and Helen Stacey


Aboriginal Artist, Betty Sumner singing a lullaby to baby Azaria held by her mother curator/artist Wendy Grace Allen


Exhibition supporters


Betty Sumner (workshop participant and Aboriginal art consultant)


Exhibition supporters


More photographs from the exhibition opening to follow in subsequent posts.

Photos courtesy of the Helpmann Academy and Wendy Grace Allen.

The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo

Tuesday, September 14, 2010

Introducing Lauryn Arnott – Workshop Participant, Adelaide South Australia




Crossing over 162 x171 cms. Medium: Charcoal, charcoal pencil, collage, on Dessin 300gsm paper

Lauryn Arnott
I arrived in Adelaide, Australia, in 2003 having lost my home to a brutal regime in Zimbabwe, Africa. In Adelaide I started the Crossing Over drawing as part of a Masters of Visual Arts degree. This drawing became a site of remembering and forgetting memories through a process of drawing and erasure. My methodology became a physical enactment of the state that I found myself in, a process of working through persistent memories, acknowledged and unacknowledged, a retrieval of history as memory and memory as history. This process works as a catalyst through which I can harness my sense of place and identity. It is an appropriate technical way of dealing with memory and loss, using the mark as an increment of retrieval and its erasure as a metaphor of loss.

The Crossing Over drawing was exhibited at the National Gallery of Zimbabwe, as a part the 2009 Harare International Festival of Arts. Much like my participation in The Border Crossing Project, this demonstrates my interest in the important role that art can play in retrieving and transforming ideas and memories that cross borders and cultures. My intention in this to create links and build relationships between different countries and cultures, despite what is said in the media.

Part of the content of this drawing is the deliberate use of fragile and temporary materials such as the large unprotected sheet of paper pinned to the wall. The fragility of the medium of this work expresses its stark subject matter.




The Collaboration

I worked together with Nina Rupena and Patricia Wozniak; we come from diverse cultures, yet our work has been shaped by the fact that we are all living in Australia because of the conflict in our home countries. I came from Zimbabwe, Nina from Bosnia and Patricia’s recalls her grandmother’s stories of her displacement from Poland after the war. The central themes that we share in our work is; conflict, displacement, fragility, memory and post-memory. An important factor we discussed was whether cultural diversity was the source of peace (and collaboration) or the root of conflict. In this we felt that it was vital that our collaboration be one of negotiating and not negating our work and our histories, because there is no single essence, no single history.

What I consider an important aspect for The Border Crossing Project, is that it can open up a dialogue in which the artists and viewers can consider their own positions on these proposals.

Meaning through making:
The deliberate use of fragile and temporary materials is an important aspect of our collaboration. The materials; collaged paper, charcoal, pastel, xerox transfers, lace for stencils, spray paint, printing ink and muslin

Text by Lauryn Arnott




The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo

Wednesday, September 8, 2010

Press Release

Helpmann Academy


September
For immediate release

The Border Crossing Art Project arrives in Adelaide

Opens 6:00pm, Wednesday September 22
Concludes Thursday October 14

Light Square Gallery
Adelaide College of the Arts
39 Light Square, Adelaide

Visual artists from Australia, Thailand and New Zealand have collaborated together and with South Australian artists and art students for a unique cross cultural initiative called The Border Crossing Art Project.

Showcasing the work of artists Wendy Grace Allen (nee Dawson) (New Zealand), Dr. Apichart Pholprasert (Thailand) and Helen Stacey (Australia), the Border Crossing exhibition first opened at The Art Centre Gallery at the Chulalongkorn University in Bangkok in February. The exhibition will be on show at the Light Square Gallery during September and October, before heading off to New Zealand later in the year.

The Border Crossing Art Project is an exploration of collaborative visual arts practice, where the artists involved - among the first graduates from the University of South Australia’s Masters of Visual Art program - experiment with multi-layered techniques that traverse geographical and cultural boundaries,” explains Helen Stacey, who has coordinated the South Australian phase of the project. “All of the pieces on show are a unique discovery of the progressive transformation of our original work, each of us reflecting on issues relating to land ownership.”

In addition to the Light Square exhibition, the collaborative research project also includes a two-day workshop, a public forum, a seminar and a series of artist floor talks. Up to 16 students, staff and visual arts graduates from the Helpmann Academy’s visual arts partner institutions will take part in a collaborative workshop, with each artist working to interpret the theme ‘border crossing’.

The Border Crossing Art Project has been supported by a Helpmann Academy major grant.


  • Public Forum - ‘New trajectories in regional cross-cultural collaboration’
Light Square Gallery, 3:00pm Thursday 23rd September
Speakers: James Bennett, Curator of Asian Art, Art Gallery of SA
Dr. Pamela Zeplin, SA School of Art and the Border Crossing artists


  • Acsa Seminar - Eddies and flows: narratives of cross-cultural collaboration
Adelaide Central School of Art Gallery, 12:00 noon, Friday 24th September
The Border Crossing Artists


  • Artists Talks: Light Square Gallery
11:00am, Thursday 23rd and Friday 24th September

For further information contact Chris Bull, Helpmann Academy Marketing Manager, on (08) 8463 5015 or 0425 615 233

The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo

Thursday, September 2, 2010

Shoutouts - Artgazine

Shoutouts on-line in Artgazine (Click on this link)This video was shown as part of our exhibition at The Art Centre, of our one day workshop with Thai artists and art students.
The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo

Wednesday, September 1, 2010

Visual Representation of our Collaborative Process

The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo

Wednesday, September 16, 2009

Contemporary Art from Myanmar



I went to this exhibition opening in Bangkok the night before we moved from Thailand to Penang, Malaysia. Not all the slides are wonderfully clear because of reflections on the glass and the angle of the photos, but the slideshow will give you an idea about the art work and the performances. The accompanying soundtrack is by William Orbit entitled Dark Eyed Kid. There is also a link to a new art space in Myanmar called New Zero Art Space and Thavibu Gallery. Enjoy!

The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo
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Tuesday, January 27, 2009

Border Crossing Workshops

At each venue, the Border Crossing artists will conduct a workshop where invited artists and art students bring along one original painting and one fine art reproduction of that painting on canvas. The artists will then swap their canvas prints and respond to the other artists work by painting on top of the artists canvas print. The workshops could be held over a day or a weekend. The original painting and the finished collaborative artworks will be displayed side-by-side in a gallery as an extension of the Border Crossing project. At the completion of the exhibition, in the event that the work hasn't sold, the participating artists will then be returned their original painting and the fine art reproduction that they brought to the workshop. The collaborative process will be documented by a film maker and photographer. The workshop participants will be encouraged to record their responses to the project on video, and via the The Border Crossing Art Project blog. The workshops aim to strengthen cross cultural relationships, reinforce collaborative learning experiences for all artists and in particular for art students. Artists participating in the project have the opportunity to learn new skills from each other whilst the process of collaboration encourages mutual respect, peace and understanding. Additional art performances could be included during the process of the workshop.

Projected output of the project

The Wendy Grace Allen, Dr Apichart Pholprasert and Helen Stacey will produce fifteen finished paintings including three paintings (each painting approximately 166 cm x 104 cm) by only one artist and twelve collaborative paintings (each painting =A0 – 1189 cm x 841 cm). The documentation for Border Crossing will be in artists book form. Part of the project is to deliver art workshops to accompany the exhibitions in New Zealand, Australia, Thailand and Singapore. In addition, there will be floor talks by the artists describing the project and discussing topics relating to art in the Asia Pacific region. An interactive blog (website) and group/page on Facebook social network site have been created to support the project by encouraging cross cultural communication via regular on-going dialogue with an global audience.

Target audience for the project

Border Crossing is to be exhibited in Bangkok, Thailand, Palmerston North, New Zealand, Adelaide, Australia and Singapore. The target audience includes professional artists, art collectors, art supporters, museum curators and art students. In addition the interactive blog at http://thebordercrossingartproject.blogspot.com/ and The Border Crossing Art Project page on Facebook provides a platform for dialogue with a diverse global audience. At each exhibition a computer will be set up connecting to the blog site so audiences can comment on the project in real time, enabling immediate and on going interaction with the artists.

The Earth's waters are both boundaries and pathways for peoples, objects and ideas.
Fumio Nanjo